Showing posts with label leather. Show all posts
Showing posts with label leather. Show all posts

Down-and-Dirty Review: Porcini mushroom bouquet



Perfume .025ml $125
Cepes and Tuberose is weird. 

I like weird.

This perfume, by Aftelier Perfumes, is intensely earthy, like picking up a handful of gritty Spring dirt, bursting with both decay and new life, and letting it run through your fingers. 

It is also deeply floral, like sticking your full face in the most gorgeous bouquet of expensive tuberose, accented with a few pristine white roses bred for scent. 

This is one of those scents that needs to be smelled to be understood, as cepes -porcini mushrooms- seemingly makes no sense whatsoever with perfume. 

By mixing the two essences, cepes and tuberose, perfumer Mandy Aftel brings an earthiness out of
EDP 1ml $180
the tuberose that is unexpected and simply startling in its loveliness. 

This scent picks up an almost leathery tone, like the inside of a very old and worn vintage bag hiding a perfume-laden women's hankie inside. A musky scent is folded in (that's musky, not musty!). And the scent fades slowly away. 

So, in the end, it all makes sense. It gets where it gets in an unconventional way and ends up being stunning. 

Cepes and Tuberose is weird. I like weird. It's one of my favorites in the Aftelier line-up, and my next purchase. I consider the whole experience quite sensual. 



Perfume & flask (so cool)
$300


Unisex. Sillage: skinscent to moderate if you are an enthusiastic sprayer; length of wear: 4-5 hours+; price: reasonable for niche; the mini makes it quite affordable. This is a unique fougere scent that may not be for everyone, but I highly recommend. Personally, I think it's highly sexy. Samples of perfume or edp for $6; mini perfume bottle for $50; other sizes available: Aftelier.com

Disclosure: Review based on the edp; sample graciously provided by the perfumer. 

Jul et Mad: A love story. Stilettos on Lex, Amour de Palazzo, Terrasse à St Germain (perfume review)

A few months ago, I had the distinct pleasure of attending the global launch for a new perfume line, Jul et Mad at the most perfect perfume destination in NY (if not the planet), MiN New York. I was so overcome by meeting a lot of friends in-person for the first time, by the beauty and quirkiness of the shop, and frankly also by owner Mindy Yang's 3 brilliant cocktails made with Mandy Aftel's Chef Essences and in the spirit of the 3 scents being launched --- so overcome that I forgot to ask for samples to take home and ruminate over.

Flash forward a few months and I finally got over my embarrassment and managed to procure some samples. If only getting myself bottles of these scents was as easy!

A little about the Jul et Mad line, for those who are not familiar with it...

Jul et Mad

If you like backstories for your perfumes, this line has it. The Jul et Mad line's Histoire d’Amour was presented to us at MiN by one of the owners, Madalina, who told of her love story with Julien (get it: Jul et Mad?). The perfumes trace this story and express it in scent, from Romanian-born Madalina's single days in New York working in the cosmetics industry, to when she first meets Parisian-born world traveler scientist-type Julien in Paris, through to the couple's first trip away together in Venice.

The perfumes were developed by perfumer Dorothée Piot of Maison Robertet (Amoauge Memoir WomanOlfactive Studio Chambre Noire, and others) following the company's tagline "Perfume Without Compromise". Each of the three scents comes in a beautiful, fabric-lined box, accompanied by a travel-size atomizer because Madalina believes women should be able to touch-up their scent experience throughout the day. She spent quite a bit of time considering every facet of the production, from scent (of course) to packaging and bottle design. I like the way she thinks, though I do wish the scents were available in smaller bottles as a stand-alone (cheaper than the current $280 for 50ml - parfum concentration, btw), as while I adore the perfumes I must compromise or my kids don't eat! :)


Stilettos on Lex
One of my favorite things about perfume is the phenomenon of sillage. A scent trail. The lingering impression left in one's wake. An olfactory timestamp. A memory.

This is the basis for the first scent in the Jul et Mad story. It tells the tale of a single, cosmopolitan woman (our Madalina) as she walks down the street leaving a sensual and confident sillage trailing behind her. We hear her heels click as she leaves nothing but that sound and that smell to burn into our minds. Dramatic, but you get the point.

What does this Stilettos on Lex sillage story say?

I now invoke my luck, hoping that one day I will cross again her magnificent allure on this same legendary avenue…Her image disappeared, but during her short passage she offered me the most attaching of memories: her perfume…

The Accord: Chypre Fruity Floral

A timeless ode to eternal beauty opening on a sparkling fruity-gourmand note, a prelude to the opulent floral bouquet, dominated by the softness of heliotrope, and crowned by the powdery and sensual touch of iris and carnation… A mysterious and exalting mélange of musk and precious woods reinforce and sublimate this composition of ultimate elegance.
Head : Lemon, Pear, Davana, Plum Liquor
Heart: Lily of the Valley, Violette Leaves, Rose Absolute, Heliotrope, Iris, Carnation
Bottom: Musk, Madagascar Vanilla, Indonesian Patchouli, Atlas Cedarwood
A lovely story - but the perfume: does it stack up? Well, almost everyone I've encountered thinks so! It was, that night we met it, the most popular of the three, though I think the others have become just as beloved - perhaps Stilettos is most accessible? I don't know. I myself favored Amour de Palazzo that night, but I'll talk about that in a moment.

Stilettos on Lex is a modern take on both the chypre style of perfumery and on the traditional "lipstick" or "cosmetics powder" accords. The fruity opening, dominated by a luscious plum, is a flirtatious wink and smile, delightful but not sticky or shrill. Stiletto's heart features rose, violet, powdery heliotrope, and other lovely florals that bloom softly and with beautiful presence before folding graciously into the musky, softly-powdered base (in which the cedar and patchouli are barely noticeable but give a certain strength to a bottom that would otherwise fly away).

I love it. It's cheerful without being chipper, it's pretty without being girlish, it's floral without smacking you in the face. It's delightfully modern with a polite nod to traditional perfumery. Glorious.



Terrasse à St Germain

 Love at first sight. A lovely concept! Depending on who you speak to, it's either a ridiculous notion or the turning point in one's life.

Terrasse à St Germain celebrates the struck-by-lightening feeling of love at first sight, or "coup de foudre". Our couple meets in Paris - though they almost did not!


His passage leaves a void behind him, and this emptiness, daydreaming, she already fills it with wild and fascinating perfumes inspired by the picture of the young man… the beautiful stranger turned around and approaches...
The Accord: Woody Floral Musky

Starting with the first note, a green and sparkling freshness awakes the senses, rapidly sustained by a subtle floral palette of freesia, lotus and rose, giving to the formula a surprising and delicate sensuality. The strength of the musk strikes suddenly, but in complete harmony and perfect symbiosis with the precious sandalwood and the seducing patchouli…
Head : Grapefruit, Tangerine, Rhubarb
Heart: Freesia, Lotus Flower, Blue Rose
Bottom: Musk, Sandalwood, Indonesian Patchouli
At the start, there's a watery sweetness to Terrasse à St Germain that is unusual, at least to my novice nose. This perfume moves fast, flashing through the tangerine, a glimpse of grapefruit, and on to the rhubarb. It then grabs the freesia (sweet tarts! this is the truest freesia note I have encountered in perfumery so far!), and takes a little tang from the rhubarb. Rhubarb seems to be one of those notes that gets perfumistas very interested, very quickly. Luckily for those perfumistas, the note is handled beautifully here, and with a sense of humor - it's flirty and fun and unexpected!

Still moving quickly, on my skin if not yours, Terrasse slips right into the rose. It's slightly candied (the lotus and freesia still playing a hand) and very cheerful. This is, I suspect, the scent that is to blame for my recent obsession with rose! The delectable rose in this blend is one that stuck in my mind and didn't let go.

That said, this is not a "feminine" scent. A confident man would lead lines of women around wearing Terrasse à St Germain. This will be especially true when the beautifully musky wood base
comes into play. While I wish this scent lasted forever, it does not (alas! only 5 hours or so.), which is all the more reason to spritz it again.

Terrasse à St Germain is a beauty, from the first tangy, ebullient spray to the final, lingering woody traces.


Amour de Palazzo 

The first trip as a couple is always remembered and cherished as a memory. Our setting for this third scent and story, Venice, is the sight of one such trip, as our couple walk through ancient buildings and experience the history of this special city.


The rich and heavy perfume of precious wood and leather furniture, shone and polished by passing centuries, mix agreeably now with the pleasant and cocooning fragrances coming from the surrounding gardens, the humidity of the old stone and the lagoon that follows and surrounds us… We walk aimlessly… Dream or reality? It doesn't really matter… Here we are in perfect harmony, we feel free, free to love each other, free to taste as one the same happiness… free to appreciate the instant… Every single gesture, no matter how simple, is now charged with profound significance.

The Accord: Oriental Woody Leather

The noble palette of ingredients used for this creation give the precious character to this fragrance: a spicy start, fresh and slightly "gourmand" at the same time, opens the way to the heart of the perfume where floral, woody, and leather notes create a perfect harmony… A divine, marvelous amber-oud accord reveals itself promptly, sustained by the seductive power of animal notes… Narcotic and irresistible…
Head : Four Spice (pepper, cloves, ginger, nutmeg)
Heart: Absolute of Violette, Atlas Cedarwood, Leather, Indonesian Patchouli, Labdanum
Bottom: Musk, Oud, Amber, Papyrus, Animal Castoreum

This one is the more masculine of the three, though I consider all three unisex. Amour de Palazzo was my instant favorite of the three. Considering my tastes in perfume, it's easy to see why!  Amour de Palazzo is a woody, leathery thing that immediately evokes a sense of history, depth, and sex appeal. It opens with a peppery bang laid over leather. The spices do not turn foody, thankfully, rather they stand strong and lay wide the perfect path for the woody, slightly rough notes that are to come.

The heart of Amour de Palazzo still carries some of that peppery facet, wrapped in the slightest hint of violet, wrapped in patchouli leaves, wrapped in leather (the turducken of perfumery!). It's just the right amount of deep and slightly dirty. Sexy. By blending violet (Stilettos) and wood (Terrasse), we've moved from flirtation right into the good stuff!

The beautiful base of Amour goes on and on, echoes of spices and leather still present in swaths of animalic oud and musk. It's raw, but round; intense, but not painful and sharp. Where the opening notes are intense and somewhat strong, the base softens and melts into the skin leaving a distinct impression - but only for those fairly close up. For them, it leaves the heart racing.


Jul et Mad
It's now 6 months after the global launch of Jul et Mad, and already one of the scents, Terrase à St-Germain, has brought acclaim in the form of a nomination for FiFi Indie Perfume of the Year Award (it was runner-up!). MiN is not the only point of sales in the US, now: you can also purchase Jul et Mad at Aedes de Venustas (NY). MiN does now offer samples on their website, by the way, for those of you curious about the brand. I also encourage you to take a wander through the beautifully done Jul et Mad website (you can order online there, too).

Bottom Line: I would be a proud owner of any of these three scents, hard-pressed to select a favorite. I love them all.


Samples graciously provided by MiN New York

Neela Vermeire's Mohur will blow you away! (perfume review)

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For those of you do not know about Neela Vermeire's perfumes, you're in for a treat. Neela is fragrance fan who, in 2012, launched her own house. She contracted none other than Bertrand Duchaufour (seems to be a smart trend among new houses!) to bring to life her idea: Discover Your India. Together, they urge you to sample from India's past through to its future, in the French perfume style. Sample the Vedic period in Trayee, experience the Mogul-British Raj through Mohur, and finally land in Modern India with Bombay Bling. All three scents have been well-received by perfumistas and Noses in the Know alike. Today, we're going to discuss Mohur!

One of the incredibly intelligent things the Neela Vermeire Creations line does (aside from having beautifully-made scents) is offer not only a sample collection, but also a "discovery set" which includes 10ml of each scent (only $118.55). Genius.


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The name refers to the most valuable gold coin in India’s history, the last of which was minted in 1918. A way, perhaps, of underlining the value given to perfumery during the Mogul era, an art so highly considered that the most powerful empress of the Mughal dynasty, Noor Jahan, devoted herself to perfecting it. 

Though Mohur is built on the classic Eastern accord of rose and oud, with its powdery orris accords it also manages to conjure the opulence of classic French fragrances. It is also, despite the richness of its floral accords, a unisex scent, with leather effects alluding to high tea after a polo match in the British Raj, and perhaps a whiff of fine-milled English soap. 

But the real surprise in Mohur is the subtle “Indian pastry” accord tucked in the petals of its rose garden, with notes of carrot, almond, cardamom and ambrette, lending a tender touch to this majestic composition. If Patou had been Indian, this would have been Joy...   - Luckyscent




Mohur Notes

Cardamom, coriander, ambrette, carrot, black pepper, elemi, Turkish rose oil, jasmine, orris, hawthorn, almond milk accord, leather, sandalwood, amber, patchouli, oudh Palao from Laos, benzoin, vanilla, tonka bean

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Here's a lovely bit on the inspiration of this scent, written by Victoria of Bois de Jasmin, and since I couldn't explain it better, I won't:
"Mohur takes its name from a gold coin minted during the Mogul era in Indian history. It is influenced by the story of the empress Nur Jahan, who not-so-secretly became the power behind the throne of her opium-addicted second husband.  After her husband’s death, Nur Jahan took up the art of perfumery while under what amounted to a house arrest.  Although the perfumes Nur Jahan created are lost to history, the story is not and it is this that Neela Vermeire has taken as inspiration."


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Mohur kicks off (most of the time) with a swirl of dry, rooty spice. Specifically, I get carrot and pepper and coriander and orris. It's invigorating. 

Shortly, and it doesn't take long, the spicy winds settle down and in that respite blooms a beautiful french perfume full of the sweetest, dewiest rose note I've smelled in awhile. That rose is layered over jasmine and - believe it or not - almond milk. This creates the occasional impression of one of my favorite desserts of all time, carrot halwa or "Gajar ka halwa", a cardamom + carrot + almond + milk mixture that I can never say "no" to. 

Periodically, the winds kick back up and Mohur's roses become a garden with the whole rose bush - roots and all. 

Slowly, as the rose blows in and out, the grassiness and spices are gone and a base of oud (oh-so-softly) and vanilla-tinged leather is built underneath my feet. Rose petals settle slowly onto the ground, fluttering gently as the fall.

Mohur doesn't sit still often. The roses are ever present, but their dance partners change like the wind. I get different Mohurs depending on the day and on the way I apply (dab vs. spray). This does not at all discourage me from wearing it. Quite the opposite, in fact. It makes me drawn to Mohur to see which personality the winds will bring me today!

This is one of the few scents that I constantly wish to respray while I wear it, but I don't! I want to follow it through and see it to the end. But I don't! I want those rosy heart notes to start swirling around me. But I don't! I want this blissful and gorgeous, base to go on and on and on. But I don't! Let's relive that first few spicy moments by spritzing it again. Oh dear, I want it all, all the time.



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Let me call your attention back to the Luckyscent description of Mohur:

"If Patou had been Indian,
this would have been Joy.
"


I think not only is this quotation right on the nose, but it's also very descriptive and apt of this whole line. Neela Vermeire Creations, through the eyes and noses of Neela and perfumer Bertrand Duchaufour, is the perfect marriage of classic French perfumery and traditional Indian perfumery. This, I think, would make Noor Jahan very, very happy.

Tell me: Now that I've talked about all three of NVC's perfumes,
which one is YOUR India?
Or which one intrigues you the most, if you haven't tried them yet?

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Buy Mohur and the other 

Neela Vermeire Creations through

 the NVC websiteLuckyscent
and through the retailers listed here.


Wow. That bottle... 




BTW, wouldn't you love to wear this amazing bindi?
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Babylon Noir by Opus Oils - it's actually noir! #Devilscent


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Perfume Pet Peeve: Calling something "noir" when it's anything but!
Noir calls to mind darkness, danger, mystery, beauty, grittiness, and a sexy edge. Noir has a toughness and cynicism and probably at least one surprising twist. There is often a strong drink, on the rocks, and someone is always smoking...

BABYLON NOIR 
The Scent of Seduction 
Official Launch: February 14th 2013
BABYLON NOIR (Dark Babylon) is part of The Devilscent Project. Each Limited Edition Artisan Bottle is adorned with Vintage Lace & Fancy Feathers!!! Key Notes Include: Indecent Tuberose, Narcotic Peaches, Luscious Lychee, Civet, Smoke, & Leather. Available in Alcohol or Fractionated Coconut Oil. 
   


Kedra Hart, perfume mistress at Opus Oils, was part of the incredibly diverse group perfume and blogging project headed by Sheila Eggenberger (author of the yet-to-be-published novel Quantum Demonology, which is freaking amazing). The call went out to scent characters from the book. Babylon Noir is the reply from Opus Oils.




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Let's talk about sex for a minute. Sexy perfumes, to be specific. And just in time, right? Valentine's Day is tomorrow!

What would I include in a sexy perfume? Some rich, juicy fruit is a no-brainer, of course. The sexiest flowers I could find. And I happen to love a good naughty tobacco note. And leather is always nice. Make it musky, and I'm sold.

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Let's take a look at those Babylon Noir notes again for a sec, shall we?

  • Tuberose ("indecent tuberose"!) is a night-blooming white flower that is pollinated by moths. It smells sexy, round, heady, and fleshy. It originated in Mexico (did you know that?!) and is often used in weddings, Hawaiian leis, and in funerals. In France, maidens were warned against walking at night, lest they smell tuberose and be suddenly influenced to, shall we say "make bad choices".  Is there a more noir flower?
  • Peaches are an ancient fruit, thought to originate in China and their blossoms are carried by Chinese brides. They are often considered sexy, sensual, and also innocent. Indeed, in Babylon Noir they are called "narcotic"!
  • Lychee is a juicy fruit that, in China, symbolizes love and romance, and it's considered quite auspicious. It's red on the outside (the color worn by Chinese brides) and a fleshy pink on the inside, and it's very, very sweet.
  • Civet is a musky, sexy note common in perfumery. It was once removed from actual civet scent glands, but thankfully now perfumery usually uses a synthetic version. Before you get bent out of shape or grossed out, consider this: civet has been used in some of the most sexy, naughty, and/or popular perfumes ever made (Joy, 1000, ShalimarQuelques Fleurs 
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    l`Original
    , TabuMuscs Koublai Khan, and the Queen of Perfumes, Chanel No. 5, to name only a few). In fact, I just realized looking at a list of civet-containing fragrances that this note is a common denominator in fragrances I love, going all the way back to my teen years and Colors de Benetton and Carolina Herrera!
  • Smoke. Make no mistake when checking the notes list for Babylon Noir: this "smoke" is definitely from a cigarette and not from some romantic spaghetti Western campfire! Smoke is sexy. Smoking is sexy. Well, maybe not as much now, but historically-speaking. Sex was used to sell cigarettes, and cigarettes were used to spell-out SEXY in a not so subtle way. In 1920 a woman was arrested in New York for smoking in public. In high school, the naughty girls smoked - wearing naughty clothes, hanging out with naughty boys, and sneaking  those smokes in places where only naughty girls went. And need we even mention a sexy man in a leather coat (or cowboy hat, or tailored suit) with a cigarette hanging out of his mouth? Um, swoon! Smoking is a legitimate fetish, enhanced perhaps by its deadly side effects. It's a bit trampy, it's forward, it's not just a little phallic.
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    Leather
    launches its own fetishes. What's sexier than a woman in leather? A man in leather ain't too bad, either! Clothing oneself in animal hides goes way, way back. It's nearly primal. And in modern times, it's a little bit bad-ass. When worn, leather usually goes on tight. Really tight. It's a second skin that one can touch, only barely separated from the person below. It looks like skin, smells like skin - well, it is skin. And need we even mention the whips and other leather implements that may come to mind when one hears the word "leather"? 
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Babylon Noir

The first inhalation of Babylon Noir tells you you're in for an exciting, raunchy ride! It's sweet, juicy, ripe, and fleshy right out of the gate. It's innocent. It's naughty! The juicy sweetness drips down your arm (no, not literally, unless you got carried away with the spritzer) and you can almost taste it. It whets your appetite for more. It relaxes you and interests you and it smells oh-so-sexy.

When the delicious lychee and peach pull back ever so slightly, the tuberose steps right in - on long, gorgeous gams and in the sexiest of sexy heels.

Soon, but not too soon, under the pretty and sweet-looking tuberose fruit fest is the twist. A whiff of cigarette smoke. The distinctive scent of black leather.

Eventually, the entire experience is stripped down to the base notes (that's a double entendre in case you missed it). What's left is all you need: lots of leather and a cigarette, for after...

Babylon Noir is actually noir. And it is perhaps my favorite discovery of 2013 so far (and it will be hard to top). It's dark, it's sweet, it's fruity, it's leather-y, it's smoky, it's sexy, Sexy, SEXY. And dammit, it's noir! Thank you, Kedra! Thank you!

Buy Babylon Noir at Opus Oils.
Available in Alcohol or Fractionated Coconut Oil.
Babylon Noir Sample (.5-1ml) $5.00 
Babylon Noir 1/2oz Parfum Roll-On $85.00
Babylon Noir 1oz EDP Spray $95.00
Babylon Noir 1.7oz Fancy Atomizer (Alcohol ONLY) $185.00


Missing that whiskey on the rocks?
Try Opus Oils' M'eau Joe!
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One not-so-polite leather: Jolie Madame (Balmain)

A while ago, I entertained myself by writing about two "polite" leather perfumes I love. And I do love them. But I love even more a dirty leather. Kind of the olfactory equivalent of this:


I like my leathers best when they're a bit naughty. Rough around the edges but with a heart of gold. Or maybe not even a heart of gold. Rough and rougher is fine. Bedroom eyes don't hurt.

My favorite dirty leather is a bit polarizing. A lot of perfumistas love the stuff, but I know a lot of "normal" people get that wide-eyed, nostrils-flaring look that usually comes right before a quick goodbye or a dash to open the window. Let's just say this one is not exactly "work friendly".


Jolie Madame is something I wear whenever the hell I want (I already have no perfume fear, but this one makes me even ballsier). Others may feel it's best suited for evening. Maybe midnight. In a barn.

As a little clue as to what you might be in for, here is a quote from March of Perfume Posse:
"Jolie Madame was the nastiest, skankiest piece of liquid hell that had graced my wrist..."

She goes on to point out that she later fell head over heels for it. That's a familiar story.

I stumbled upon a bottle of the vintage, viscous and dark and hiding in plain sight in an antique store. I picked it up, bought it, went home, sprayed and... wow. That stuff is just weird.




I read about Jolie Madame from time to time, and as I developed more perfumista cred, I started loving "the skank". Jolie Madame has skank. Take a look...

Top notes: artemisia, coriander, gardenia, neroli and bergamot 
middle notes:  tuberose, narcissus, orris root, jasmine and rose 
base notes: leather, patchouli, musk, coconut, civet, oakmoss, castoreum, and vetiver


Ah! The skank trifecta: musk, civet, and castoreum!

I have three bottles of the stuff now. Clearly, I "learned to love it". It wasn't hard. Jolie Madame is dark. It's a little mean. It's also very, very different from the department store perfumes I was used to (to which I now say "thank God!").

All of my bottles of Jolie Madame smell pretty different. One is not as jagged and rough. I don't like it as much as I like the others. The two I love, while different, are still identifiable as being the same perfume. They're both powerful. Really powerful. One drop is plenty, two is insta-bombshell. Three is probably too much.

My Jolie Madame bottles are all "vintage", though I have not bothered to try to find out how old each is. From what I understand, the modern version is still Jolie Madame, though maybe a bit more green and bright than the vintage.

Like most people, I'd classify this as a violet-leather perfume. The juxtaposition of the feminine violets (often considered "girly") against the dark and dirty leather is, quite simply, perfection.

Jolie Madame was created in 1953 by perfume genius Germain Cellier, who also dreamt up the incredibly beautiful and very significant scents Bandit, Fracas, and Vent Vert to name a few. You can read more about her here and here.




If you are into violets (as I have learned I am), you will find these two articles really interesting:



And here are some other reviews of Jolie Madame:
Now, if you'll excuse me please, I have to go kick some asses.


Image sources: Leather Marlon, leather Johnny,
leather James,  leather RyanPerfumed Ryan Gosling.
All other images, and the editing on Perfumed Ryan are mine.

2 Polite Leather Perfumes

If I had to pick two scent families that really work for me, I'd have to say that I almost unfailingly fall for chypres and leathers. I love the rich, earthy base of the former - but mostly when oakmoss is used, the heavier the better. The latter I love in almost every form.

I have no compunctions about wearing whatever I want, almost any time I want. There are exceptions, of course. I will wear close-to-the-skin scents around those who are allergic or sensitive. I will wear "polite" scents in offices and at funerals. I will not wear anything dirty or skanky when doing someone's makeup. But those are pretty much the rules. Other than that, I'm an olfactory free-for-all. Sweats and a t-shirt? That won't stop me from wearing a Big White Floral. Jeans and a turtleneck? What, you think my vintage chypre is too much? So what! Antiquing on a rainy Sunday? A skanky nose hair-singer suits me, even if it makes no sense to you!

My scent choices are mostly driven by mood. Sometimes, they're driven my someone else mentioning a recently-ignored bottle, too. Perfumed friends are good for that!


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When I wear one of my badass leathers,
this is what I look like (inside). 
At times, my mood calls for leather. OK, a lot of times my mood calls for leather. There are lots of nuances to this mood and perfume genre, so it's not really straightforward in my convoluted, perfume-addled mind. Take, for example, "the barn leathers" that smell of saddles and horses and maybe even cowboys. Then there are "the boot leathers", often heavily dipped in birch tar and smelling of old-fashioned, sturdy and shiny leather. I can't forget "the purse leathers" that remind me of a new handbag in an exclusive boutique. Some of what I think of as "purse leathers" are often what others would classify as scents reminiscent of the scented gloves of yore -- but not all of them. Basically, if you sniff that perfume and it smells like sticking your nose in an expensive and brand new handbag, that's a "purse leather" in my book! And there are a select few leathers that are just a little bit more naughty. Those remind me of a confident, sexy woman walking purposefully through life in her knee-high boots, dressed all in black. A little goth, a little sexy, and all woman. She's got that air about her that has just a little undercurrent of "naughty", which is thrilling! Those are my "badass leathers". I love those the most. There are a few other leathers, and even some scents that others call leathers that don't speak to me of leather at all. The nose is a funny thing.

Some times that I'm drawn to what I call "my polite leathers". These are perfumes I can wear anywhere without offending anyone. They are close-to-the-skin. They are lightly floral. They are feminine. They are not at all badass.

Here are two of them...

  1. Cuir de Lancôme
    I have no idea what Lancôme is thinking, burying this baby at the discounters and not featuring in prominently on the line's counters! This gorgeous scent was created in 2007 as part of the La Collection. Named after a vintage leather, it apparently smells nothing like the original (also called "Revolte", a name that is unfortunate at best). Maybe that's why it has been tossed aside? Or maybe the decision-makers at Lancôme are too busy focusing on lipsticks and eye shadows? For whatever reason, this beauty is underrated even by the company who produced it. Very sad.

    Cuir is not a ball-buster leather. It's not going to make anyone think of S&M or punk rock boots or even saddles and horses. The only image I get when I sniff it is the beautifully-worn suede interior of a perfectly-preserved vintage handbag.

     The top notes are brief and gentle, the mandarin present in a delectable way. The florals are feminine and gentle and the patchouli is a silent partner the best I can tell. The soft, smooth, and slightly-dry leather base goes on and on and on without ever overstaying its welcome. Some leathers are a bit medicinal, even eye-wateringly so, but that's not at all the case here. Cuir is too ladylike for that kind of behavior! Nor is she powdery; she's a little too butch for that!

    I can't think of any place where this perfume would not be appropriate, unless perhaps the temperature were terribly high. But really, one wouldn't choose leather in those circumstances, anyway.

    Topnotes: mandarin, saffron, bergamot 
    Heart notes: patchouli, hawthorne, jasmine, ylang Basenotes: orris root, birch, styrax

  2. Bottega Veneta
    If Cuir was our flashback scent, Bottega Veneta is clearly the new kid on the block. Born just last year (2011), the work of Michel Almairac, Bottega Veneta is solid where Cuir is soft. The Lancôme scent is vintage leather, softened with age. It has a slight coziness about it. Bottega Veneta is a stiffer leather, newer and... fresher, perhaps?

    The opening notes of the famous leather purveyor's signature scent vibrate a bit, as if in anticipation of what's to come. The florals are well-placed and share the spotlight well with the leather. Neither is pushy, neither takes over. Angela at Now Smell This describes both Bottega Veneta and Cuir de  Lancôme as exhibiting "good breeding."1 I can't think of a better way to put it!


    This perfume is a subtle but well-behaved trickster. The notes hail Lily of the Valley, patchouli, and jasmine as key players, but I can't find them. Sure, there's that floral-leather combo working hand-in-hand, but I can't pinpoint the flowers specifically. That's good. I like a well-blended mystery! Many people praise the fruit notes in Bottega Veneta, which you'll not find in the official notes listing. I've seen plum, apricot and peach called out. I smell them, too, especially the apricot/peach nuance. And then there's the controversial oakmoss... Yes, it's there but not in that overdose way (that I, for one, love). Instead, it's a soft padding in this supple leather handbag.

    There is without a doubt a softness about this perfume. Maybe "a fuzziness" as some people have noted. It has no hard edges, no angles. It is not shiny or black or stiff, rather it is supple and warm and even has a little glow.

    As I can't imagine a situation inappropriate for Cuir de Lancôme, I can't imagine a time or place where Bottega Veneta wouldn't suit. Of these two soft-spoken leathers, Bottega Veneta is the softer. I find it hard to believe one could wear "too much" of this one. Spray with wild abandon! In fact, feel free to layer up, from shower gel to lotion and body cream to eau de parfum.

    Top Notes: Pink peppercorn, Bergamot, Lily of the valley Middle Notes: Jasmine, Leather, Patchouli
    Base Notes: Oakmoss


    ETA: Well, ok then! There's jasmine in this here perfume. I realized it as I sat here virtually basting in Bottega Veneta (yeah, I really like it). The wind kicked up as I went to get the mail and I smelled it on myself and yup - that's jasmine. Interesting that it took massive overdoses of the perfume to pick that out (or at least for my nose to pull it). But that's that. Jasmine. Yup.





So maybe what I consider to be "polite leathers" are sueded leathers? Whatever you want to call them, they are luxurious, smooth, elegant, and pretty.

Psst... did you notice? Both of these scents are "mainstream" and not hard to find. And they won't make your wallet bleed, either. Whoa! 

I wanted to ask you about leathers! Do you like to wear them? What kind? Do you have odd little names for the different categories, like I do? What other "polite leathers" might you suggest for me?

The wearing o' the green: Chanel No. 19, Balmain Vent Vert, Puredistance Antonia.


Top o' the mornin' to you, my fragrant friends! It's Saint Patrick's Day!

                          Yes, I'm Irish.                                     via
Today, many of us wear green, pin on shamrocks, and drink green beer. Most of us don't know why (or care). I'm not going to go into a history of St. Patrick or Ireland, mostly because I'm short on time - the Guiness isn't going to tint itself.

But I will take this moment to say Happy St Patrick's Day to all. And, of course, talk about celebratory perfumes!

The way I look at it, we can choose to honor St. Patrick with perfumes scented with wool. Or tweed. Or eau de sheep. Or lager. If none of those work for you, there's always GREEN!


Here are my  favorite green perfumes:




Chanel No. 19 is not Irish, but it is very green. Made in 1971 (like me, and all other perfect things) by Henri Robert, No. 19 was the last perfume made with Coco Chanel before she died - or so the story goes.

The opening is bracing and intense green galbanum and hyacinth - almost the personification of Spring itself! Ostensibly containing bergamot, neroli, rose, ylang, jasmine, and a host of other notes, mostly all I get is that intensely green opening, some iris, and a cool leather base. The scent, for most if its wear, is light and dry and cool in a nearly powdery way. And on my skin, it lasts for ages. It's one of those scents that I'm always aware of having on; my nose never seems to forget its there.

Some consider No. 19 cold or stand-off-ish or even a bitch. Not me! It's my comfort scent. It is often what I spray on after a long, trying day. I sleep with it, and I use it when I need to find my center. I wear the modern EDT, but look forward to meeting the vintage (a yellow-green, not the acid green of today). The word on the street is that the vintage jus is even better. I don't doubt it, but I still love the current version.



Vent Vert is another galbanum-strong perfume...at least at the beginning. It came before No. 19 in creation, but not in my sampling. It was the beginning of the green family of scents. Compared to No. 19, it is warm and cuddly. The opening blasts you awake and lets you know it's time to pay attention! This green is grassy and leafy. Fairly quickly, the green is joined by beautiful florals: some rose, some hyacinth, a bit of jasmine. This in turn melds into a lovely mossy woods that becomes part of your skin. It's amazing. To me, it's like walking through very green woods in the Spring. On me, Vent Vert is neither strong nor terribly billowing, though others praise its sillage. Maybe because my sample is dabbed, not sprayed?

I'm wearing an undated vintage EDT. Vent Vert has undergone at least two major reformulations and who know how many tweaks. The original was created for Balmain by Germaine Cellier in 1947. Calice Becker oversaw the relaunch of Vent Vert in 1990, which was then re-relaunched in 1999.


Antonia is the second  perfume  (of three so far) from uber-luxury Austrian brand Puredistance. At 25% perfume oil, it's pleasantly strong and long-wearing, which is nice, because if you buy the Swarovski crystal flacon for $2,870, you'll want to savor each drop! A more reasonable vial of 17.5ml is $198, and samples are a whopping $19.

But the smell? It's a bright, Spring-y green opening. Florals (jasmine, rose, ylang ylang) waft continually over a soft but persistent green base. The drydown is a green-vanilla. If Vent Vert is a walk through green woods, Antonia is a stroll through a May garden in delicious bloom.

Antonia was signed by Annie Buzantian. The scent was launched in 2010.


                                                                  Biking in The Motherland.                                                           via


What are you wearing today? (I've got No. 19 on my left arm, Vent Vert on the right ---and I haven't even had a beer yet.). Are there notable Irish scents? Do you wear green perfumes? If so, which are your favorites?