Showing posts with label violet. Show all posts
Showing posts with label violet. Show all posts

Meet Miss Hummingbird, Zoologist's newest edp






Hummingbird Eau de Parfum is the latest offering from one of my most favorite houses, Zoologist Perfumes. 

It's a departure from the heavy footfalls of Rhinoceros and the rutting skank of Beaver. It's closer in tone to the light, transcendent Panda - but not in the same genre of scent. 

Hummingbird is a flirtatious, fun, flickering thing. A "fruity floral," I'm hesitant to say, as I know that name makes some people wander off, but please don't!

Our fun-filled Hummingbird is a delight to wear and nothing like those department store confections. So please, let me describe her.



As first we meet, she is darting about, making preparations. We catch pungent whiffs of juicy pear, a sumptuous rose, sweet and innocent violet, some chilled citrus juice, and a hint of a lilac breeze. Miss Hummingbird likes things sweet but realizes we may not want to go overboard, so she shows delightful restraint. The perfect hostess. 

When next she flys by, shimmering in the sun, she presents us with a brilliant, glimmering bouquet. Again, always considerate, nothing dominates heavily. Everything is effervescent, sparkling, and incandescent like the lady herself. We smell, at times, lilac & peony & ylang ylang & honeysuckle & mimosa. Sometimes we smell them all, like a brilliant flash of colors - daresay like Miss Hummingbird herself?

Miss Hummingbird, tired from flitting about, settles down gently into a creamy musk-laden woods. One is almost surprised to see her resting this softly, but always the genteel lady, her repose is as gorgeous as the rest of her.

Hummingbird Eau de Parfum was created by perfumer Shelley Waddington , of  En Voyage Perfumes, for the brief created by Victor Wong, designer of Zoologist Perfumes. 

Family: fruity-floral; Projection: good/strong; Length-of-wear: 6 hours+; This is a gorgeous floral blend with a sparkling fruity top and creamy woods bottom. Full bottle worthy and perhaps my second favorite in the line. At $125 the pricepoint is reasonable for niche perfume, and the bottles and labels are divine. 


Disclosure: Sample provided by Victor Wong


Euphorium Brooklyn has the answer for dark mysterious perfume: Pétales



Do you remember back when edgy, dark, shadowy makeup artistry line Illamasqua released their fragrance, Freak? The one in the dark tilted bottle with the snail on the side? 

Illamasqua Freak
Freakily disappointing 
That's about as dark as we got there. To say I was disappointed was a huge understatement. Nice perfume, but not worthy of the Illamasqua reputation. 

I envisioned something haunting, yet pretty. Something a little dangerous, but seductive. It was good but I wanted more. More darkness. More edge. More mystery. More staggering beauty. More... MORE. 

I found it.

Euphorium Brooklyn's Pétales fits the bill in spades. 

I swear it starts with an innocent olfactory feint that smells like, I know I'm nuts, but--- well, I get rootbeer for a second. The fizz of grapefruit and florals must be to blame, as they mix with the spicy sweetness of star anise and pepper, the bite of galbanum, and the smoothness of honey. 

But that's just a little game, because this flirtatious scent turns quickly into a much more mature scent.

Spray Pétales to wrap yourself in a slightly mysterious perfume with naughty indoles, an armful of blossoms, and a deeply sexy base. Then watch out! 




Pétales , Brooklyn Euphorium. Available at TwistedLily.com
Family: Floriental. Firmly unisex. Projection is moderate, though you could amp this mother with extra sprays - if you dare. Length of wear is "hours and hours." Cost is in the moderately-expensive range, but snatch up a sample for only $4 and see if you agree: it's worth it. I smell rose and lily and crisp greens snapping over sparkling citrus. A river of honeyed spice flows beneath, before ending in a musky animalic heaves.

Notes: Rose, Lavender, Orchid, Hyacinth, Linden Blossom, Lily, Iris, Orange Blossom, Violet, Orris, Jasmine, Geranium, Palmarosa, Pettigrain sur la Fleurs, Galbanum, Green Stem, Moss, Pink Grapefruit, Fig, Honey, Star Anise, Elemi, Black Pepper, Vetiver, Labdanum, Benzoin, Tolu Balsam, Ambergris, Indole, Tonka Musk













Jul et Mad: A love story. Stilettos on Lex, Amour de Palazzo, Terrasse à St Germain (perfume review)

A few months ago, I had the distinct pleasure of attending the global launch for a new perfume line, Jul et Mad at the most perfect perfume destination in NY (if not the planet), MiN New York. I was so overcome by meeting a lot of friends in-person for the first time, by the beauty and quirkiness of the shop, and frankly also by owner Mindy Yang's 3 brilliant cocktails made with Mandy Aftel's Chef Essences and in the spirit of the 3 scents being launched --- so overcome that I forgot to ask for samples to take home and ruminate over.

Flash forward a few months and I finally got over my embarrassment and managed to procure some samples. If only getting myself bottles of these scents was as easy!

A little about the Jul et Mad line, for those who are not familiar with it...

Jul et Mad

If you like backstories for your perfumes, this line has it. The Jul et Mad line's Histoire d’Amour was presented to us at MiN by one of the owners, Madalina, who told of her love story with Julien (get it: Jul et Mad?). The perfumes trace this story and express it in scent, from Romanian-born Madalina's single days in New York working in the cosmetics industry, to when she first meets Parisian-born world traveler scientist-type Julien in Paris, through to the couple's first trip away together in Venice.

The perfumes were developed by perfumer Dorothée Piot of Maison Robertet (Amoauge Memoir Woman, Olfactive Studio Chambre Noire, and others) following the company's tagline "Perfume Without Compromise". Each of the three scents comes in a beautiful, fabric-lined box, accompanied by a travel-size atomizer because Madalina believes women should be able to touch-up their scent experience throughout the day. She spent quite a bit of time considering every facet of the production, from scent (of course) to packaging and bottle design. I like the way she thinks, though I do wish the scents were available in smaller bottles as a stand-alone (cheaper than the current $280 for 50ml - parfum concentration, btw), as while I adore the perfumes I must compromise or my kids don't eat! :)


Stilettos on Lex
One of my favorite things about perfume is the phenomenon of sillage. A scent trail. The lingering impression left in one's wake. An olfactory timestamp. A memory.

This is the basis for the first scent in the Jul et Mad story. It tells the tale of a single, cosmopolitan woman (our Madalina) as she walks down the street leaving a sensual and confident sillage trailing behind her. We hear her heels click as she leaves nothing but that sound and that smell to burn into our minds. Dramatic, but you get the point.

What does this Stilettos on Lex sillage story say?

I now invoke my luck, hoping that one day I will cross again her magnificent allure on this same legendary avenue…Her image disappeared, but during her short passage she offered me the most attaching of memories: her perfume…

The Accord: Chypre Fruity Floral

A timeless ode to eternal beauty opening on a sparkling fruity-gourmand note, a prelude to the opulent floral bouquet, dominated by the softness of heliotrope, and crowned by the powdery and sensual touch of iris and carnation… A mysterious and exalting mélange of musk and precious woods reinforce and sublimate this composition of ultimate elegance.
Head : Lemon, Pear, Davana, Plum Liquor
Heart: Lily of the Valley, Violette Leaves, Rose Absolute, Heliotrope, Iris, Carnation
Bottom: Musk, Madagascar Vanilla, Indonesian Patchouli, Atlas Cedarwood
A lovely story - but the perfume: does it stack up? Well, almost everyone I've encountered thinks so! It was, that night we met it, the most popular of the three, though I think the others have become just as beloved - perhaps Stilettos is most accessible? I don't know. I myself favored Amour de Palazzo that night, but I'll talk about that in a moment.

Stilettos on Lex is a modern take on both the chypre style of perfumery and on the traditional "lipstick" or "cosmetics powder" accords. The fruity opening, dominated by a luscious plum, is a flirtatious wink and smile, delightful but not sticky or shrill. Stiletto's heart features rose, violet, powdery heliotrope, and other lovely florals that bloom softly and with beautiful presence before folding graciously into the musky, softly-powdered base (in which the cedar and patchouli are barely noticeable but give a certain strength to a bottom that would otherwise fly away).

I love it. It's cheerful without being chipper, it's pretty without being girlish, it's floral without smacking you in the face. It's delightfully modern with a polite nod to traditional perfumery. Glorious.



Terrasse à St Germain

 Love at first sight. A lovely concept! Depending on who you speak to, it's either a ridiculous notion or the turning point in one's life.

Terrasse à St Germain celebrates the struck-by-lightening feeling of love at first sight, or "coup de foudre". Our couple meets in Paris - though they almost did not!


His passage leaves a void behind him, and this emptiness, daydreaming, she already fills it with wild and fascinating perfumes inspired by the picture of the young man… the beautiful stranger turned around and approaches...
The Accord: Woody Floral Musky

Starting with the first note, a green and sparkling freshness awakes the senses, rapidly sustained by a subtle floral palette of freesia, lotus and rose, giving to the formula a surprising and delicate sensuality. The strength of the musk strikes suddenly, but in complete harmony and perfect symbiosis with the precious sandalwood and the seducing patchouli…
Head : Grapefruit, Tangerine, Rhubarb
Heart: Freesia, Lotus Flower, Blue Rose
Bottom: Musk, Sandalwood, Indonesian Patchouli
At the start, there's a watery sweetness to Terrasse à St Germain that is unusual, at least to my novice nose. This perfume moves fast, flashing through the tangerine, a glimpse of grapefruit, and on to the rhubarb. It then grabs the freesia (sweet tarts! this is the truest freesia note I have encountered in perfumery so far!), and takes a little tang from the rhubarb. Rhubarb seems to be one of those notes that gets perfumistas very interested, very quickly. Luckily for those perfumistas, the note is handled beautifully here, and with a sense of humor - it's flirty and fun and unexpected!

Still moving quickly, on my skin if not yours, Terrasse slips right into the rose. It's slightly candied (the lotus and freesia still playing a hand) and very cheerful. This is, I suspect, the scent that is to blame for my recent obsession with rose! The delectable rose in this blend is one that stuck in my mind and didn't let go.

That said, this is not a "feminine" scent. A confident man would lead lines of women around wearing Terrasse à St Germain. This will be especially true when the beautifully musky wood base
comes into play. While I wish this scent lasted forever, it does not (alas! only 5 hours or so.), which is all the more reason to spritz it again.

Terrasse à St Germain is a beauty, from the first tangy, ebullient spray to the final, lingering woody traces.


Amour de Palazzo 

The first trip as a couple is always remembered and cherished as a memory. Our setting for this third scent and story, Venice, is the sight of one such trip, as our couple walk through ancient buildings and experience the history of this special city.


The rich and heavy perfume of precious wood and leather furniture, shone and polished by passing centuries, mix agreeably now with the pleasant and cocooning fragrances coming from the surrounding gardens, the humidity of the old stone and the lagoon that follows and surrounds us… We walk aimlessly… Dream or reality? It doesn't really matter… Here we are in perfect harmony, we feel free, free to love each other, free to taste as one the same happiness… free to appreciate the instant… Every single gesture, no matter how simple, is now charged with profound significance.

The Accord: Oriental Woody Leather

The noble palette of ingredients used for this creation give the precious character to this fragrance: a spicy start, fresh and slightly "gourmand" at the same time, opens the way to the heart of the perfume where floral, woody, and leather notes create a perfect harmony… A divine, marvelous amber-oud accord reveals itself promptly, sustained by the seductive power of animal notes… Narcotic and irresistible…
Head : Four Spice (pepper, cloves, ginger, nutmeg)
Heart: Absolute of Violette, Atlas Cedarwood, Leather, Indonesian Patchouli, Labdanum
Bottom: Musk, Oud, Amber, Papyrus, Animal Castoreum

This one is the more masculine of the three, though I consider all three unisex. Amour de Palazzo was my instant favorite of the three. Considering my tastes in perfume, it's easy to see why!  Amour de Palazzo is a woody, leathery thing that immediately evokes a sense of history, depth, and sex appeal. It opens with a peppery bang laid over leather. The spices do not turn foody, thankfully, rather they stand strong and lay wide the perfect path for the woody, slightly rough notes that are to come.

The heart of Amour de Palazzo still carries some of that peppery facet, wrapped in the slightest hint of violet, wrapped in patchouli leaves, wrapped in leather (the turducken of perfumery!). It's just the right amount of deep and slightly dirty. Sexy. By blending violet (Stilettos) and wood (Terrasse), we've moved from flirtation right into the good stuff!

The beautiful base of Amour goes on and on, echoes of spices and leather still present in swaths of animalic oud and musk. It's raw, but round; intense, but not painful and sharp. Where the opening notes are intense and somewhat strong, the base softens and melts into the skin leaving a distinct impression - but only for those fairly close up. For them, it leaves the heart racing.


Jul et Mad
It's now 6 months after the global launch of Jul et Mad, and already one of the scents, Terrase à St-Germain, has brought acclaim in the form of a nomination for FiFi Indie Perfume of the Year Award (it was runner-up!). MiN is not the only point of sales in the US, now: you can also purchase Jul et Mad at Aedes de Venustas (NY). MiN does now offer samples on their website, by the way, for those of you curious about the brand. I also encourage you to take a wander through the beautifully done Jul et Mad website (you can order online there, too).

Bottom Line: I would be a proud owner of any of these three scents, hard-pressed to select a favorite. I love them all.


Samples graciously provided by MiN New York

Violet Disguise by Imaginary Authors



"Like a good book, these scents are meant to inspire you. In these bottles are layered narratives that are sure to generate stirring conversation, fragrances that might be capable of changing the course of your own personal story. The hope is that they not only invigorate and intoxicate, but also take you to new places."

Violet Disguise is one of the scents from Imaginary Authors, a clever new line of scents straight out of that hotbed of culture, Portland, Oregon*. Each perfume is a story in and of itself, wrapped around the idea of an author who never was. The entire concept was dreamed up by Josh Meyer, a self-taught perfumer with a clear love of books. I adore the scents, the website, the packaging... it's all brilliant.

*Is Portland "a hotbed of culture"? It kind of seems like it to me and Lucy of IndiePerfumes agrees. That's not the point, though. Stay focused. Keep reading the review. ;)

"Each Imaginary Authors fragrance follows a compelling storyline peppered with intriguing twists. These are scents to curl up with, to share with friends, to take with you wherever you go, and to return to again and again for a uniquely transcendent experience."

Invigorated by the reckless blooms of spring she took to the street like a blossom on the breeze.” So begins Violet Disguise by Lenora Blumberg. A Californian through and through, Blumberg’s early stories invoke the innocence of picnics in the park, days whiled away picking plums in the orchard, and warm nights cruising canyon roads with the top down. 
After Violent Disguise was adapted for the screen Blumberg spent several years consorting with Hollywood’s elite but abandoned the glitz for a quiet life on a plum orchard in the Ojai Valley. 
WHEN TO WEAR: This is a versatile fragrance that will remind you of the simpler joys in life. Violet Disguise will invigorate and put a spring in your step. 
NOTES: Plum, Violet, Dried Fruits, Balsam, Amber, Evening Air & The Month of May

60mL | $85 | Eau de Parfum


Violet Disguise opens with an odd swirl of pine tree and flowers and something fruity, spins in the air, then settles back down again. That out of the way, the perfume behaves in a bit more of a ladylike manner. There's a sweet, fruity nuance flirting around the edges of this violet perfume. And under it, only just, is the dried fruit, chewy and somehow...healthy? Like a baggie full of dehydrated fruit you'd take on a hike. It adds an odd, deadened vibe that's somehow very appealing, contrasting with the vibrance of the sweet violet petals. I'll be honest: I've never been quite sure what plum smells like...until now. It's clearly here, ripe but subtle. It tangles beautifully with the balsam, nesting in the boughs until the amber washes up and wipes them away. As for the Evening Air and Month of May - yes, they're here too. A spritz of Violet Disguise will lead you right to them, then to your wrist, again and again for more. This perfume is fun and flirty with a slightly serious side. She's the girl with the glasses, wind blowing through her hair, and a wink in her eye.


"Life is a series of blank pages and it is up to one’s self whether to fill those pages with tedious prose or wildly imaginative storylines.”

ps:

Until 4/2



One not-so-polite leather: Jolie Madame (Balmain)

A while ago, I entertained myself by writing about two "polite" leather perfumes I love. And I do love them. But I love even more a dirty leather. Kind of the olfactory equivalent of this:


I like my leathers best when they're a bit naughty. Rough around the edges but with a heart of gold. Or maybe not even a heart of gold. Rough and rougher is fine. Bedroom eyes don't hurt.

My favorite dirty leather is a bit polarizing. A lot of perfumistas love the stuff, but I know a lot of "normal" people get that wide-eyed, nostrils-flaring look that usually comes right before a quick goodbye or a dash to open the window. Let's just say this one is not exactly "work friendly".


Jolie Madame is something I wear whenever the hell I want (I already have no perfume fear, but this one makes me even ballsier). Others may feel it's best suited for evening. Maybe midnight. In a barn.

As a little clue as to what you might be in for, here is a quote from March of Perfume Posse:
"Jolie Madame was the nastiest, skankiest piece of liquid hell that had graced my wrist..."

She goes on to point out that she later fell head over heels for it. That's a familiar story.

I stumbled upon a bottle of the vintage, viscous and dark and hiding in plain sight in an antique store. I picked it up, bought it, went home, sprayed and... wow. That stuff is just weird.




I read about Jolie Madame from time to time, and as I developed more perfumista cred, I started loving "the skank". Jolie Madame has skank. Take a look...

Top notes: artemisia, coriander, gardenia, neroli and bergamot 
middle notes:  tuberose, narcissus, orris root, jasmine and rose 
base notes: leather, patchouli, musk, coconut, civet, oakmoss, castoreum, and vetiver


Ah! The skank trifecta: musk, civet, and castoreum!

I have three bottles of the stuff now. Clearly, I "learned to love it". It wasn't hard. Jolie Madame is dark. It's a little mean. It's also very, very different from the department store perfumes I was used to (to which I now say "thank God!").

All of my bottles of Jolie Madame smell pretty different. One is not as jagged and rough. I don't like it as much as I like the others. The two I love, while different, are still identifiable as being the same perfume. They're both powerful. Really powerful. One drop is plenty, two is insta-bombshell. Three is probably too much.

My Jolie Madame bottles are all "vintage", though I have not bothered to try to find out how old each is. From what I understand, the modern version is still Jolie Madame, though maybe a bit more green and bright than the vintage.

Like most people, I'd classify this as a violet-leather perfume. The juxtaposition of the feminine violets (often considered "girly") against the dark and dirty leather is, quite simply, perfection.

Jolie Madame was created in 1953 by perfume genius Germain Cellier, who also dreamt up the incredibly beautiful and very significant scents Bandit, Fracas, and Vent Vert to name a few. You can read more about her here and here.




If you are into violets (as I have learned I am), you will find these two articles really interesting:



And here are some other reviews of Jolie Madame:
Now, if you'll excuse me please, I have to go kick some asses.


Image sources: Leather Marlon, leather Johnny,
leather James,  leather Ryan; Perfumed Ryan Gosling.
All other images, and the editing on Perfumed Ryan are mine.

Fragrance family tree: Kenzo Flower and Kenzo Flower Tag (perfume reviews)


Oh dear me, I do love some poppies. It's what makes me drawn to Flower, by Kenzo.  Not that it smells like poppies, mind you, because poppies don't smell like anything, really. Wait... I'm getting ahead of myself. This is going to be a little discussion of two sisters - closer in relation than the last sisters I talked about here. These sisters are both from the Kenzo family: Flower and her newest sibling, Flower Tag.


Flower the skunk, from Bambi.
Flower
Let's start at the beginning, with Flower. It was created in 2000 by perfumer Alberto Morillas and is now considered the flagship scent for the line. The Flower flacons, designed by French sculptor Serge Mansau, are iconic in my opinion. I'm sure you've seen them, even if you haven't smelled the perfume? They are elegant, sleek, subdued, but somehow quite eye-catching. I intend to buy most of the scents from the Flower line and think they'll make a lovely vignette on a dresser, don't you?

Just as the bottle is gently curving, pretty, and chic, so is the perfume inside. Flower is powdery violet and soft rose, reminiscent of vintage powders. Other notes include wild hawthorn, cassie, opopanax, white musk, hedione, and cyclosal, all of which add to that clean, streamlined, yet uber-feminine aura.

Flower wears long and well, losing it's initial bright and green crispness quickly but hanging around as a powdery second skin for ages. It's not over-bearing, but definitely present. I believe sillage is minimal, but when I cross my own path I can smell it - and it's soft, soothing, and lovely.

From what I've read, Flower is meant to be a tie-in between rural, country life (wildflowers) and city life. I think the bottle and scent both do this incredibly well.

via
If you think that sounds good...
Which brings us to flankers. Naturally, since Flower does well, Kenzo had to spin-off the original with slightly-tweaked versions. 

  • Flower Essentielle, from 2008,  basically dials up the primary characteristics of Flower with notes of Damask rose, jasmine, vanilla, musk, black pepper, pink pepper and incense. 
  • 2008 also brought Winter Flowers, which used the same principal as the original but using flora typically found in the cooler season. Notes for Winter Flowers include Bulgarian rose, Parma violet, mandarin, violet leaf, mimosa, camellia, hellebore rose, patchouli, absolute vanilla, and white musk. 
  • There have been occasional other seasonal versions of Flower, too: Summer, Spring... where's Autumn?! 
  • There was a Flower Oriental (with notes of flowers, incense, violets, bulgarian rose, pepper, and vanilla) from 2005 - it has a black poppy on the bottle and box and I need it!
  • For the artists in the group, Flower Edition d`Artisteswhich, and correct me please if I'm wrong, was the same scent, just packaged and bottled differentlly: three painters (Pierre Mornet, Rebecca Dautreme, Lorenzo Mattotti) created special works for Kenzo . 
I may be missing some flankers. Clearly, Kenzo knows Flower was a good thing and wants to capitalize on it!

And now they have introduced...

Flower Tag
Brand new this Summer (2011), Flower Tag still has that lovely new car smell. Wait! No, it doesn't! But it is new. The urban-country juxtaposition is still in play, but more urban-leaning. Tag references the art of graffiti, whose artists "tag" walls with their work. 

Flower Tag is not identical to Flower (good, because what would be the point?!). It's - brace yourself - been made youth-friendly. Not for kids, mind you, but for that very special group of young adults who have plenty of expendable income. Luckily, this isn't PINK, but it is a fruity floral. I know that makes perfumistas reel, but hang on for a bit, ok?

Notes for Flower Tag are: mandarin, blackcurrant, rhubarb, jasmine, peony, lily of the valley, tea, vanilla and musk. It definitely starts with mandarin - a nice juicy blast. For awhile, that note predominates, which makes me happy. A sparkly and peppy mandarin is a lovely way to start the day. I never get much lily of the valley in this, but the tea adds a nice twist to the florals. As the scent ages on the skin, the tea gets stronger (at least on me) and almost hay-like, before settling down into a sweet and subtle musk.

As for that bottle I keep prattling on about, for this flanker it's red glass with graffiti-style tagging representing the iconic poppy and the word "flower" over and over and over. Pretty!

Vs.
Flower Tag is what I consider "a proper flanker". It's a tweaked version of the original, where the ties to the original are still apparent. So let's compare them, shall we? I have Flower on my right arm, Flower Tag on my left...
more Banksy. i'm addicted.

Where Flower is soft and powdery, Flower Tag is brighter and sharper. Where Flower is classically floral, Flower Tag is... well, less so. It's not that peonies aren't classic, but they surely aren't on the same level as the delightfully retro violets and roses of the original. Where Flower wears forever, softly wafting, Flower Tag is not as tenacious and sits closer to the skin. However, both scents are fairly streamlined, both are chic, and both are wearable in most situations.

Both are well-done scents - clever, lively without being noisy. I suspect the "younger version" prose and "fruity-floral" descriptor will keep many a perfumista away, but I hope the tea note draws a few of them back. I think this is a pretty good perfume and I'm pleased to have it.

I will stop before saying "If you like Flower you'll like Flower Tag". I suspect if you enjoy fruity scents and you like Flower, you may like Flower Tag. I also think that if you enjoy the old-fashioned-modern twist of  Flower and luxuriate in its powderiness, you may not like Flower Tag, because that just-opened-a-vintage-compact smell is not here.

Tell me: do you like Flower? Have you tried any of the other flankers? How about Flower Tag? And have you ever eaten those candied Parma violets? 

PS: Wouldn't the Kenzo Amour and Kenzo Amour Indian Holi bottles look great on my dresser, too? :)