Showing posts with label perfume. Show all posts
Showing posts with label perfume. Show all posts

Dolcelisir Acqua di Profumo by L'Erbolario





Nice little cheapie I got to sample thanks to a friend.

It's like a Frapin (think liquor!) and one of those Spadero's, Doux Amour I think it was, had a baby. 

A boozy, gourmand, floral, pretty thing. Almost too sweet for me, but only almost.

It projects decently, not screaming out, but not holding too tightly, either. The longevity is like a marathoner - it goes and goes. The drydown, arguably the best part, lasts hours.

The orange note at the top: perfection.

The drydown is sexy/snuggly.

Worth the money if you have an olfactory sweet tooth.

Top notes include bergamot, orange, caramel and rum. Heart is composed of jasmine, rose, immortal, lily of the valley, cinnamon, sugar cane and cocoa powder. Base features patchouli, vanilla, benzoin, tonka, amber and musk.

On Mandy Aftel's book "Fragrant: The Secret Life of Scent"

Intro
It's been so long since I've blogged that I've quite forgotten how! But I can't think of a better way to jump back in than to start with an offering from one of the nicest people I know, a friend and a fragrant wizard: Mandy Aftel. Today, though, I'm not discussing a perfume. I'm talking books, my friends.

That's right. Among Mandy's many gifts is her ability to put her thoughts to paper. Perhaps you have read her well-known primer on natural perfumery, Essence and Alchemy: A Natural History of Perfume*? Or her book on using essential oils in expected (and not so expected) ways: Aroma: The Magic of Essential Oils in Food and Fragrance (with Daniel Patterson)? Or Scents and Sensibilities: Creating Solid Perfumes for Well-Being? Did you know she has also written about Brian Jones, a founding member of the Rolling Stones? And about finding a therapist? Yeah, she used to be a therapist in a past life. I mean, not like a past life, woo-woo-style, rather that was her profession before she discovered her passion for natural perfumery.


[*Note to self: Self, why have I not reviewed that?  I do own it. Must remedy.]

"I create perfume, and people wear it, because beauty is a vacation from reality. It is a place --an ideal place-- that you can visit without traveling. It is restorative, and it makes you feel good. A personal adornment like wearing jewelry, it has no practical purpose whatsoever. It simply allows us to inhale bliss." - Mandy Aftel


Why Fragrant?
Frankly, I'm a bit of a quite a nerd, so no hobby of mine can fully be enjoyed without understanding the background of the whole thing. Luckily, in Fragrant, Mandy makes this not only an accessible bit of research but a very pleasurable one.

But Fragrant is not written for the perfumers and perfumistas of the world. I mean, feel free to read it if you are one. I encourage you to do so. No, more than that: Frankly, I'm quite confused if you don't read Fragrant and still call yourself a perfumista. I don't understand how you can blog about, or "speak knowledgeably" about, your passion if you do not know where the art's roots are. But anyway, I digress.

Fragrant is Mandy's offering to the non-obsessed. To those who, to borrow the online slang, may be noobs. The curious. The folks who wonder-- "who was the first person to rub that on their body? And WHY?!" It's a way to open the door and say, "Come in, explore this amazing world with us!"

Love, love, love the awesome pictures that pepper the pages of Fragrant

At the beginning of the book, Mandy skims through her history. She tells us of various careers that led her, ultimately, to her passion: natural perfumes. She uses words like "joy" and "heady" and "mysterious" and "amazing." You feel how excited she is to share this world of hers with you, the reader, and that's what makes this book such a lovely read. And it's also, by the way, what makes Mandy such a great perfumer and a wonderful person to talk to. 

You see, she knows that people have become so accustomed to being bombarded with scents that we hardly register them anymore. Our detergents, our dish soaps, shampoos, our grocery stores, our foods for heaven's sake! Everything has an artificial scent and we've become numb to this constant battering ram of olfactory warfare. 

We think perhaps we just don't care about scent. But Mandy has discovered the joy of introducing - or rather, reintroducing - people to the pleasure of natural scents. And that, my friends, is why Fragrant was written.
"...they've come to believe they have no appetite for scent itself.  Watching them discover authentic aromas and their sensual pleasures is profoundly thrilling, like watching a starving person feast on a delicious meal. It's these experiences of reawakening people to scent that led to this book." -Mandy Aftel



The Main Characters

Mandy has taken a clever approach to introducing us to the world of scent. She's chosen five "main characters" to lead the reader through history and perfumery. Each gets a chapter. I'll happily introduce them, but let me point out that the real bonus is that if you purchase Fragrant from Mandy's website, Aftelier Perfumes, you get this amazing Companion Kit that actually gives you samples of all five of the main characters!


Each item in the Companion Kit
Companion Kit packaging


In order of appearance:

Cinnamon
Mint
Frankincense
Ambergris
Jasmine





Full disclosure: I really do not react well to spearmint. Well, whatcha gonna do? 

How cool is it to know that the cinnamon and mint oils that come in the kit can be used in food or drink? And should you choose to do so, you may wear the (already diluted) ambergris tincture and jasmine on your skin. The frankincense? Rub it between your fingers, on your skin, or layer it with the other two skin-appropriate oils and make your own perfume!

The inside of The Companion Kit

Cinnamon is a spice, and leads us through the spice route, educating us on history, passion, some myth, and how perfumery really got its start.

Mint represents home and Americana. It symbolizes all things authentic, comforting, and welcoming.

Frankincense, as part of a tree, ties us to the earth and to the sky, being a crucial part of incense. This character leads us to the spiritual.

Ambergris is one of those "who in the heck saw that and decided to burn it or put it on their bodies?" items. This character, a highly animalic, very prized, quite expensive ingredient, introduces us to the concept of "other" but also ties us to our own animal side. Not familiar with the ingredient? Wait until you hear how it's "made"...

Jasmine. Ah, sweet, sultry jasmine. This character represents the human craving for beauty, but also artfully introduces the concept of wabi-sabi. Well, you'll see. This may have been my favorite chapter. 


Quickly...

Other neat features of the book include recipes for perfumes, foods, drinks; gorgeous quotations and poems (Mandy, you make my heart sing with these!); delightful illustrations from old books; insights into perfumery; and so much more.


For example, would you like to learn...
  • The best cure for olfactory fatigue?
  • How to think about/describe a smell?
  • How scents are captured from the thing-- the flower, the tree, the bark, the fruit?
  • Some really mouth-watering tips for using essential oils in food and drinks?
  • A pretty sexy poem about being the wife of a cinnamon peeler? 
  • Where the word "grocer" originated?
  • Which surprising spice, still used everywhere, was used as currency in medieval England?
  • How many perfume ingredients had elaborate stories involving snakes "back in the day"?
  • How to discern, yourself, what raw ingredient is a top, middle, or base note?
  • Which popular herb was thought to be an effective form of birth control in Japan at one point?
  • How to make Toad Ointment? (spoiler alert: the toad does not fare well in the end)
  • Why Wrigley's Gum owes a lot to some geese?
  • Which common perfume ingredient was found in King Tut's tomb?
  • What Johns Hopkins University and the Hebrew University of Jerusalem are finding out about frankincense and why it is really, really important?
  • How incense was used as a clock?
  • Why a dog rolls in the nastiest, grossest filth it can find and then proudly trots off?
  • Why, although I love it, butyl mercaptan will never be used in perfumery?
  • What butterflies smell like?
  • Really, how many times snakes are mentioned in this book?
  • Would you try jasmine-ambergris chocolate?
  • Which perfumes would you compare with rococo architecture? Ok - only you can answer that, but the question is obliquely posed in Fragrant.



In Summary

I found this book a fantastic read. I not only enjoyed the history -and I'm not a history gal if it's dry, which this was not- but I really had a good time learning about how Mandy picks particular ingredients. What makes a specific cinnamon Aftelier-worthy? Fascinating.

I thought that it was quite cool to learn how modern marketing hasn't come too far from ancient times, when stories were embellished to make the ingredients seem more valuable, more exotic, and voila- more expensive! 

And I laughed out loud when Mandy compared Pinterest to a modern cabinet of curiosities. Indeed it is! More laughs came when reading the story about the man who got an leaky package in the mail...

I have a fondness for old American stories, so the section on peddlers and old ointments and backwoods tales was right up my alley. 

And of course, digging into the gross but amazing roots of some of my favorite vintage scent ingredients (ambergris, castoreum, civet, musk) was so cool. I have my qualms about their use currently, but in my vintage perfumes I figure those ethical dilemmas have long gotten on their ships and sailed away, so this vegetarian and animal rights activist can rest easily. Kinda.  

I learned a lot about perfume itself, not just the ingredients. New terms made themselves known to me. Accessory Notes. Burying, Chameleon Perfume. Cresol. Who knew? Well, Mandy Aftel did. 

At any rate, this book kept my interest, and if you are intrigued with perfume I assume it will do the same for you.  

Frankly, I am now inspired to mix my own gorgeous naturals. Ok, I expect them to be much less gorgeous than Mandy's, but the process is the thing. And the smelling, the diving in, the reveling in the scents... that's what I have gotten from this book. So thank you, Mandy.

PS: I'm totally making frankincense shortbread.

"What is beauty for? The beauty of beauty is that it is not for anything-- it doesn't stand for something else, it doesn't have to do something, it only needs to be." - Mandy Aftel



Other reviews
This book has been disappointingly represented in the perfume blogosphere, but has been received well elsewhere. Here are some links to reviews and, after that, links to purchasing the book.

Purchase


Disclosure: This book and the accompanying "Companion Kit" were provided to me by the author.














Mama mia, this Mother is good stuff! Mother by Opus Oils



We know I love a sandalwood perfume, right? Doesn't everyone? I mean... it's so versatile. So breathtaking. So traditional. So incredibly classic. And recently, so very rare and expensive. The woody goodness is often nearly foody, slightly skin-like, and always silken on the skin. A good long sniff of a good sandalwood is particularly soothing, don't you think?

I also adore the scrumptious, fleshy temptation of a well-made fig perfume. Luscious. Delicious. Tempting! Everyone loves fig, right? Duh.

Oh! What about boozy perfumes?! Oh, I love a perfume that smells like an after-dinner drink. How 'bout you? I mean... right?!

What about gourmands, since we're talking about figs and booze? Chocolate - there's nothing better, amiright? Oy vey, a good chocolate perfume sends me!

And then there are roses. I've just started to love rose perfumes. They're so varied, though, so traditionally Perfume. So feminine. So masculine. So unisex. They're whatever you want them to be, but you can always depend on them being sensual, beautiful, and symbolic of the big L*.
*Love, my dear.


Well, mama, I am here to point you in the direction of another fabulous sandalwood perfume! And another fabulous fig perfume. And another boozy perfume. And a chocolate one. And... wait: they're all in the same perfume. Dear Mother of All That is Good!



Mother. A perfume by Opus Oils. It contains all of the notes referenced about, all presented masterfully in a limited edition scent by Master Perfumer Kedra Hart for the Primordial Scents Project. It references "earth", an idea I think it accomplishes with aplomb! (Click the link to visit a lot of the background and references for the scent)

I am mad for this scent, as is everyone who has smelled it. It starts out boozy, like a promising evening. Figs flesh out the scent, lending a very sensual nuance. This phase is beautiful and fleshy and something I wish would never end. But all things must come to an end...



... luckily for us all, Mother only gets better, which is almost impossible to believe! While the rose isn't so prominent on my skin, the stunning this-is-the-good-stuff sandalwood surges forward, bringing with it the rich nuttiness of chocolate.

This is not by any means a gourmand scent, in my opinion. It's something different. It's something more. It becomes a warm, bready, skinscent with a chocolate tinge and occasional flash of booze. The sandalwood almost wafts a smoky facet that it truly intriguing.

If this scent brings anything to mind it's not actually "earth", it's more of the Adam and Eve myth. The beginning of humans on this earth, if the stories are to be taken literally. The tempting fruit (in this case it's fig). The warm skin of two young people. The romance of roses and chocolate -maybe the latter wasn't in the fabled Garden of Eden but it would have been had it been "invented" back then. And booze, another concept from another time that seems so appropriate for the Origins Tale. Surely it is believable that Eve and Adam sinned after a few drinks, no?

If I had to classify this scent, I suppose I'd call it "woody". But why put pressure on things by labeling them? This scent is so expansive and gorgeous, putting tags on it is just selling it short.

Slightly carnal, very sexy, and deliciously beautiful. Very typical of the Opus Oils "formula" which, to the best of my knowledge, has never failed to result in a stunning scent.

If you haven't tried it, you simply must. It is limited edition, after all!




Mother: Sample (.5-1ml) $5.00; 1 Dram Parfum $40.00;1/2oz Parfum $75.00Mother 1oz Eau de Parfum $65.00Mother 1oz Ltd. Edition EDP (Adorned with Decorative Art Nouveau Medallion) $90.00Mother 2oz Eau de Parfum $115.00Mother 1.7oz Fancy Atomizer (Alcohol ONLY) $140.00Mother 3.3oz Bath & Body Oil $50.00Mother 6.7oz Body Lotion $46.00Mother 8.5oz Bath Salts $44.00Mother 8.5oz Body Butter $55.00Mother Gift Set (.5oz Parfum, 1oz EDP, B&B Oil, Body Lotion, Body Butter, Bath Salts) $250.00

Jul et Mad: A love story. Stilettos on Lex, Amour de Palazzo, Terrasse à St Germain (perfume review)

A few months ago, I had the distinct pleasure of attending the global launch for a new perfume line, Jul et Mad at the most perfect perfume destination in NY (if not the planet), MiN New York. I was so overcome by meeting a lot of friends in-person for the first time, by the beauty and quirkiness of the shop, and frankly also by owner Mindy Yang's 3 brilliant cocktails made with Mandy Aftel's Chef Essences and in the spirit of the 3 scents being launched --- so overcome that I forgot to ask for samples to take home and ruminate over.

Flash forward a few months and I finally got over my embarrassment and managed to procure some samples. If only getting myself bottles of these scents was as easy!

A little about the Jul et Mad line, for those who are not familiar with it...

Jul et Mad

If you like backstories for your perfumes, this line has it. The Jul et Mad line's Histoire d’Amour was presented to us at MiN by one of the owners, Madalina, who told of her love story with Julien (get it: Jul et Mad?). The perfumes trace this story and express it in scent, from Romanian-born Madalina's single days in New York working in the cosmetics industry, to when she first meets Parisian-born world traveler scientist-type Julien in Paris, through to the couple's first trip away together in Venice.

The perfumes were developed by perfumer Dorothée Piot of Maison Robertet (Amoauge Memoir WomanOlfactive Studio Chambre Noire, and others) following the company's tagline "Perfume Without Compromise". Each of the three scents comes in a beautiful, fabric-lined box, accompanied by a travel-size atomizer because Madalina believes women should be able to touch-up their scent experience throughout the day. She spent quite a bit of time considering every facet of the production, from scent (of course) to packaging and bottle design. I like the way she thinks, though I do wish the scents were available in smaller bottles as a stand-alone (cheaper than the current $280 for 50ml - parfum concentration, btw), as while I adore the perfumes I must compromise or my kids don't eat! :)


Stilettos on Lex
One of my favorite things about perfume is the phenomenon of sillage. A scent trail. The lingering impression left in one's wake. An olfactory timestamp. A memory.

This is the basis for the first scent in the Jul et Mad story. It tells the tale of a single, cosmopolitan woman (our Madalina) as she walks down the street leaving a sensual and confident sillage trailing behind her. We hear her heels click as she leaves nothing but that sound and that smell to burn into our minds. Dramatic, but you get the point.

What does this Stilettos on Lex sillage story say?

I now invoke my luck, hoping that one day I will cross again her magnificent allure on this same legendary avenue…Her image disappeared, but during her short passage she offered me the most attaching of memories: her perfume…

The Accord: Chypre Fruity Floral

A timeless ode to eternal beauty opening on a sparkling fruity-gourmand note, a prelude to the opulent floral bouquet, dominated by the softness of heliotrope, and crowned by the powdery and sensual touch of iris and carnation… A mysterious and exalting mélange of musk and precious woods reinforce and sublimate this composition of ultimate elegance.
Head : Lemon, Pear, Davana, Plum Liquor
Heart: Lily of the Valley, Violette Leaves, Rose Absolute, Heliotrope, Iris, Carnation
Bottom: Musk, Madagascar Vanilla, Indonesian Patchouli, Atlas Cedarwood
A lovely story - but the perfume: does it stack up? Well, almost everyone I've encountered thinks so! It was, that night we met it, the most popular of the three, though I think the others have become just as beloved - perhaps Stilettos is most accessible? I don't know. I myself favored Amour de Palazzo that night, but I'll talk about that in a moment.

Stilettos on Lex is a modern take on both the chypre style of perfumery and on the traditional "lipstick" or "cosmetics powder" accords. The fruity opening, dominated by a luscious plum, is a flirtatious wink and smile, delightful but not sticky or shrill. Stiletto's heart features rose, violet, powdery heliotrope, and other lovely florals that bloom softly and with beautiful presence before folding graciously into the musky, softly-powdered base (in which the cedar and patchouli are barely noticeable but give a certain strength to a bottom that would otherwise fly away).

I love it. It's cheerful without being chipper, it's pretty without being girlish, it's floral without smacking you in the face. It's delightfully modern with a polite nod to traditional perfumery. Glorious.



Terrasse à St Germain

 Love at first sight. A lovely concept! Depending on who you speak to, it's either a ridiculous notion or the turning point in one's life.

Terrasse à St Germain celebrates the struck-by-lightening feeling of love at first sight, or "coup de foudre". Our couple meets in Paris - though they almost did not!


His passage leaves a void behind him, and this emptiness, daydreaming, she already fills it with wild and fascinating perfumes inspired by the picture of the young man… the beautiful stranger turned around and approaches...
The Accord: Woody Floral Musky

Starting with the first note, a green and sparkling freshness awakes the senses, rapidly sustained by a subtle floral palette of freesia, lotus and rose, giving to the formula a surprising and delicate sensuality. The strength of the musk strikes suddenly, but in complete harmony and perfect symbiosis with the precious sandalwood and the seducing patchouli…
Head : Grapefruit, Tangerine, Rhubarb
Heart: Freesia, Lotus Flower, Blue Rose
Bottom: Musk, Sandalwood, Indonesian Patchouli
At the start, there's a watery sweetness to Terrasse à St Germain that is unusual, at least to my novice nose. This perfume moves fast, flashing through the tangerine, a glimpse of grapefruit, and on to the rhubarb. It then grabs the freesia (sweet tarts! this is the truest freesia note I have encountered in perfumery so far!), and takes a little tang from the rhubarb. Rhubarb seems to be one of those notes that gets perfumistas very interested, very quickly. Luckily for those perfumistas, the note is handled beautifully here, and with a sense of humor - it's flirty and fun and unexpected!

Still moving quickly, on my skin if not yours, Terrasse slips right into the rose. It's slightly candied (the lotus and freesia still playing a hand) and very cheerful. This is, I suspect, the scent that is to blame for my recent obsession with rose! The delectable rose in this blend is one that stuck in my mind and didn't let go.

That said, this is not a "feminine" scent. A confident man would lead lines of women around wearing Terrasse à St Germain. This will be especially true when the beautifully musky wood base
comes into play. While I wish this scent lasted forever, it does not (alas! only 5 hours or so.), which is all the more reason to spritz it again.

Terrasse à St Germain is a beauty, from the first tangy, ebullient spray to the final, lingering woody traces.


Amour de Palazzo 

The first trip as a couple is always remembered and cherished as a memory. Our setting for this third scent and story, Venice, is the sight of one such trip, as our couple walk through ancient buildings and experience the history of this special city.


The rich and heavy perfume of precious wood and leather furniture, shone and polished by passing centuries, mix agreeably now with the pleasant and cocooning fragrances coming from the surrounding gardens, the humidity of the old stone and the lagoon that follows and surrounds us… We walk aimlessly… Dream or reality? It doesn't really matter… Here we are in perfect harmony, we feel free, free to love each other, free to taste as one the same happiness… free to appreciate the instant… Every single gesture, no matter how simple, is now charged with profound significance.

The Accord: Oriental Woody Leather

The noble palette of ingredients used for this creation give the precious character to this fragrance: a spicy start, fresh and slightly "gourmand" at the same time, opens the way to the heart of the perfume where floral, woody, and leather notes create a perfect harmony… A divine, marvelous amber-oud accord reveals itself promptly, sustained by the seductive power of animal notes… Narcotic and irresistible…
Head : Four Spice (pepper, cloves, ginger, nutmeg)
Heart: Absolute of Violette, Atlas Cedarwood, Leather, Indonesian Patchouli, Labdanum
Bottom: Musk, Oud, Amber, Papyrus, Animal Castoreum

This one is the more masculine of the three, though I consider all three unisex. Amour de Palazzo was my instant favorite of the three. Considering my tastes in perfume, it's easy to see why!  Amour de Palazzo is a woody, leathery thing that immediately evokes a sense of history, depth, and sex appeal. It opens with a peppery bang laid over leather. The spices do not turn foody, thankfully, rather they stand strong and lay wide the perfect path for the woody, slightly rough notes that are to come.

The heart of Amour de Palazzo still carries some of that peppery facet, wrapped in the slightest hint of violet, wrapped in patchouli leaves, wrapped in leather (the turducken of perfumery!). It's just the right amount of deep and slightly dirty. Sexy. By blending violet (Stilettos) and wood (Terrasse), we've moved from flirtation right into the good stuff!

The beautiful base of Amour goes on and on, echoes of spices and leather still present in swaths of animalic oud and musk. It's raw, but round; intense, but not painful and sharp. Where the opening notes are intense and somewhat strong, the base softens and melts into the skin leaving a distinct impression - but only for those fairly close up. For them, it leaves the heart racing.


Jul et Mad
It's now 6 months after the global launch of Jul et Mad, and already one of the scents, Terrase à St-Germain, has brought acclaim in the form of a nomination for FiFi Indie Perfume of the Year Award (it was runner-up!). MiN is not the only point of sales in the US, now: you can also purchase Jul et Mad at Aedes de Venustas (NY). MiN does now offer samples on their website, by the way, for those of you curious about the brand. I also encourage you to take a wander through the beautifully done Jul et Mad website (you can order online there, too).

Bottom Line: I would be a proud owner of any of these three scents, hard-pressed to select a favorite. I love them all.


Samples graciously provided by MiN New York

Violet Disguise by Imaginary Authors



"Like a good book, these scents are meant to inspire you. In these bottles are layered narratives that are sure to generate stirring conversation, fragrances that might be capable of changing the course of your own personal story. The hope is that they not only invigorate and intoxicate, but also take you to new places."

Violet Disguise is one of the scents from Imaginary Authors, a clever new line of scents straight out of that hotbed of culture, Portland, Oregon*. Each perfume is a story in and of itself, wrapped around the idea of an author who never was. The entire concept was dreamed up by Josh Meyer, a self-taught perfumer with a clear love of books. I adore the scents, the website, the packaging... it's all brilliant.

*Is Portland "a hotbed of culture"? It kind of seems like it to me and Lucy of IndiePerfumes agrees. That's not the point, though. Stay focused. Keep reading the review. ;)

"Each Imaginary Authors fragrance follows a compelling storyline peppered with intriguing twists. These are scents to curl up with, to share with friends, to take with you wherever you go, and to return to again and again for a uniquely transcendent experience."

Invigorated by the reckless blooms of spring she took to the street like a blossom on the breeze.” So begins Violet Disguise by Lenora Blumberg. A Californian through and through, Blumberg’s early stories invoke the innocence of picnics in the park, days whiled away picking plums in the orchard, and warm nights cruising canyon roads with the top down. 
After Violent Disguise was adapted for the screen Blumberg spent several years consorting with Hollywood’s elite but abandoned the glitz for a quiet life on a plum orchard in the Ojai Valley. 
WHEN TO WEAR: This is a versatile fragrance that will remind you of the simpler joys in life. Violet Disguise will invigorate and put a spring in your step. 
NOTES: Plum, Violet, Dried Fruits, Balsam, Amber, Evening Air & The Month of May

60mL | $85 | Eau de Parfum


Violet Disguise opens with an odd swirl of pine tree and flowers and something fruity, spins in the air, then settles back down again. That out of the way, the perfume behaves in a bit more of a ladylike manner. There's a sweet, fruity nuance flirting around the edges of this violet perfume. And under it, only just, is the dried fruit, chewy and somehow...healthy? Like a baggie full of dehydrated fruit you'd take on a hike. It adds an odd, deadened vibe that's somehow very appealing, contrasting with the vibrance of the sweet violet petals. I'll be honest: I've never been quite sure what plum smells like...until now. It's clearly here, ripe but subtle. It tangles beautifully with the balsam, nesting in the boughs until the amber washes up and wipes them away. As for the Evening Air and Month of May - yes, they're here too. A spritz of Violet Disguise will lead you right to them, then to your wrist, again and again for more. This perfume is fun and flirty with a slightly serious side. She's the girl with the glasses, wind blowing through her hair, and a wink in her eye.


"Life is a series of blank pages and it is up to one’s self whether to fill those pages with tedious prose or wildly imaginative storylines.”

ps:

Until 4/2



Wandering through an Enchanted Forest... and a lot of marketing.

[via]

Enchanted Forest by The Vagabond Prince

I probably shouldn't even be writing this review yet, but I'm going to. I'm ornery like that.

You see, I haven't quite made up my mind about this Enchanted Forest. I seem to be one of the few who hasn't. It's getting crazy raves throughout Perfumeland. Leave it to me to be the one who doesn't fall in line.

In case you haven't heard about this perfume, here's the super-duper quick rundown. Enchanted Forest is the first scent in a line called The Vagabond Prince, created by Fragrantica founders Zoran Knezevic and Elena Knezhevich. The perfume itself was masterfully blended by Perfumeland's perfuming sweetheart Bertrand Duchaufour, who has been quoted a bazillion times about this scent. In fact, there's such a flurry of quotations dropping from the sky down into reviews and discussions about Enchanted Forest, I sometimes wonder how many people have actually smelled the stuff!

About Enchanted Forest, the phenomenon
There is so much copy associated with this product, one gets weary sorting through it. Here's the website, in case you haven't seen it: http://www.vagabondprince.com/.

[via]
A summary, with much missing: Zoran and Elena, if I might be so familiar as to use their first names, wished to start a perfume house. They wanted the best of everything. They decided to work with Bertrand Duchaufour. They asked him to create, as their first perfume, a scent reminiscent of their home, Russia. They like blackcurrant and fir. Duchaufour likes blackcurrant and fir. Voila! Or something like that.

Add in references to a pagan festival ("Kupala—a Slavic tradition that continues, more festive than other things at present, as a kind of homage to nature and the mysteries of the forest."), a little bit of magic ("After the exciting hide and seek game, the fairy will comfortably cuddle in your mind and on your skin."), a stretch of the imagination ("It's the smell of the forest, when you step in it in the night."), a bit of exclusivity to tempt those who like that kind of thing ("It is the only perfume I know of that is built around blackcurrant as the sole raw material"), a splash of factual sounding info ("The blackcurrant is the MOST IMPORTANT fruity note of the range that exists in perfumery." - emphasis not mine), a little fear ("I wanted to work the dark, mysterious, almost scary effects of the forest, all that evokes mysterie [sic] and, to man, seems almost supernatural in the forest: animals whose existence have been forgotten...") and you have not only a whole lot of marketing but also a lot of big expectations.

[via]
And that's just about the perfume. We haven't even started learning about the bottle and packaging, designed by Elena Knezhevich herself! Let's see, it's round, glossy, and black and meant to "resemble the blackcurrant berry" that is so prominently featured in the perfume. The bottle has a distinct retro-Russian feel thanks to the "golden pattern of Hohloma grass wrapped around the bottle. It was designed exclusively for this fragrance by the artist, first painted by hand and then printed on the bottle in shiny gold." Further reading educates us that Hohloma is an ornate Russian painting tradition and that the style employed on the bottle is specifically "the festive 'Kudrina' which Hohloma artists used only for gifts on special occasions". (read more about the beautiful bottle here)  Luckily, there's also a lot of symbolism to further enhance the marketing: within the decorations on the bottle you will find "two symbols—a sleeping dove (silence) and the moon (fairytales, the mystery of the night)—are included in its tendrils. A remarkable thing about Hohloma is that it is not painted—it grows under the brush from a magical seed which is hidden somewhere in its pattern."

For a lovely video review of the bottle and packaging, please visit my friend Dan, aka MyMickers on YouTube:





 About Enchanted Forest, the perfume

But back to the juice... According to Duchaufour, Enchanted Forest is a modern soliflore. In the copy I have seen, he goes on to explain that there are two focuses: blackcurrant and fir. Well, color me puzzled, as I thought "soliflore" meant "one flower". Oh well. So many things about perfumery mystify me.
[via]

Top notes: pink pepper, aldehydes, sweet orange (traces), flower cassis, blackcurrant leaf, hawthorn, effects of rum and wine, rosemary, davana.

Heart notes: blackcurrant buds absolute (by LMR from Grasse), CO2 blackcurrant (by Floral Concept from Grasse), Russian coriander seed, honeysuckle, rose, carnation, vetiver
Base notes: opoponax resinoid, Siam benzoin, amber, oakmoss, fir balsam absolute, Patchouli Purecoeur®, castoreum absolute, cedar notes, vanilla, musk


[via]
An enchanted forest. 
But not this one.


My review...

Take a look at the picture above. That's what I picture when I hear "Enchanted Forest". Dappled light deliciously contrasted with a little spooky shadowing; a magical pathway one dare not leave; some pretty, flickering, mystical light; maybe a fae creature or two; perhaps some oversized, technicolor mushrooms à la Alice in Wonderland.

If you asked me to downsize my expectations, I think I'd probably back into something green and loamy, a bit gritty, full of mulch and dirt and dark green leaves.

When I apply The Vagabond Prince's Enchanted Forest, that's not what I get. Were I to be blindfolded and presented this scent, it would seem a lot like this:
Sitting on the chair, I wait for my first sniff. Suddenly, I am pelted in the face with juicy berries of some kind, and maybe some pears. And there's something a bit... off. Maybe rank. I can't think with all this fruit landing on my person. 
The onslaught continues for several hours before I am allowed to remove my blindfold and realize I'm sitting in front of a sweaty guy in a tank top who has finally stopped throwing fruit at me and is now presenting me with one-third of a serving of a delicious berry cobbler with a teaspoon of vanilla icecream on top. 

Yeah. It's a lot like that.

[via]
Forest Fairy.
Not present in this perfume.
Duchaufour has successfully created a very berry-heavy scent. In fact, most of the development of Enchanted Forest is blackcurrant. Or, rather:

BLACKCURRANT!!!!!!!!


A whole-freakin'-lot of blackcurrant. At least, I assume it's blackcurrant. To be honest, I do not know what that berry smells like. To my nose, this is a berry-pear-B.O. blend. That's right, I said "B.O.", as in body odor. Some say blackcurrant has a cat urine scent, but I'm here to tell you that at least in this scent it's B.O. and not cat pee. I spent 10 years working in the veterinary industry and have lived with cats most of my life. I have scooped a ton of pee-soaked litter and this is not what it smells like. Dial down the ammonia expectations and twist the sulfuric, sweaty knob towards Max and you've got the weird facet of blackcurrant that many people pick up.

Before you assume that I am insulting Enchanted Forest with this B.O. descriptor, please relax! It's similar to the body odor description that often arises in grapefruit-heavy perfumes. It doesn't mean the scent is unwearable! No, indeed. Perfumistas are made of hearty stock and it takes more than a little sweat to scare us away!

I have searched this scent high and low for the fabled fir note, and I think I have finally pinpointed it. Honestly, it's more like a two-sided coin than a single note that can be teased out of the perfume. One side of the coin is the face of blackcurrant, the other side is a green fir. If you're looking for a distinct pine tree smell you're not going to find it. This fir absolute blends beautifully with what I must assume are the natural green and woody aspects of blackcurrant (a fact Duchaufour alludes to somewhere in the pages of text written about the perfume). Yes, it's there, this mystical fir, but it's not slapping you across the face like the blackcurrant. It's much more subtle than that, at least on my skin.  (A special thank you to Mandy Aftel for at one point sending me a sample of fir absolute which I pulled out to assist me in finding the note in this perfume!)

The drydown of Enchanted Forest is an anemic vanilla-tinged berry musk that, while pretty, does little to support the incredibly intense top- and heart-notes. It's beautiful, don't get me wrong, but there just isn't enough oomph  after all the pomp and circumstance of pounds of tossed fruit and a whiff of B.O.

My review and opinions were formed after dabbing from a sample vial. Is it wrong that I hold out hope that this scent presents differently when sprayed and that I get all of the promised magic? ;)




Final words...

If it sounds like I don't like Enchanted Forest, then I apologize. I actually quite like it, lopsided as it may be. It's just that... well, after reading tons of reviews chockful of ecstatic raves and blissful hyperbole, I guess I just expected that dream forest. I didn't expect a berry fest with a dollop of vanilla musk. It's quite a pretty perfume in a gorgeous bottle, this Enchanted Forest, and I may even partake in a split or even fork out for the bottle. But when paired with pages and pages of overblown text and an constantly building sense of anticipation, I simply found it lacking. It's a good perfume. It's probably not great. I think if I had been expecting a beautiful berry perfume, I'd like it quite a bit more... I think possibly this scent has been oversold, over-promised and, sadly, slightly under-delivered.

As always, feel free to disagree with me in the comments!

You can purchase Enchanted Forest for $180 via...

Devilscent: Lilith - A Quantum Demonology Scent by Neil Morris --- Thorny Business

[header art -beautiful isn't it? - by Robynn L.Gardner]

Do you remember me introducing The Devilscent Project awhile back? It's collection of amazing perfumes created by Primeval Forces of Perfume* (read: really amazingly talented perfumers) in celebration of the book Quantum Demonology, by my dear friend, Sheila Eggenberger.

(Seriously, if you don't remember you're going to need to take a stop here -
at my introduction to The Devilscent Project - everything is explained there!)

*The Primeval Forces participating in this project are all named here.

Well, today I'm kicking off my reviews of the scents created for this amazing and one-of-a-kind project. I have taken a hiatus from writing for personal reasons, but I'm thrilled to jump back in to writing about perfume by literally, without looking, sticking my hand in the bag holding all of my samples submitted by the Primeval Forces and coming up with one of my favorites: Lilith by Neil Morris. Huzzah! And so we begin...

Lilith, for those of you new to The Devilscent Project and the yet-to-be-but-certain-to-be-published book Quantum Demonology, is the wife of The Devil  (aka Satan, Lucifer, The Father of Lies, and so forth and so on) who is known by our unnamed heroine and protagonist simply as Dev. 

As our story progresses and the relationship between our heroine and Dev progresses, things get a little... complicated. OK, you probably assumed (correctly) that a relationship with the devil would be complicated anyway, but factor in his angry and jealous estranged-wife, Lilith, Queen of the Succubi, and we're really talking about a mess! 
"Lilith paced the floor in front of my chair and thought out loud, but I had already tuned her out. Four thousand years of marriage will do that. As she kept talking and pacing, I simply sat back and watcher her, watched that long, leggy stride eat up the rug in six steps, watcher her turn as elegantly as any runway model, blonde hair swinging, and pace back again. She was flawless. Flawlessly beautiful in that twenty-first century porn-star way that left no room for imperfections or doubts, and flawless bored me.
-Dev,  Quantum Demonology

Perfumer Neil Morris (Neil Morris Fragrances), has a devoted following of well-scented enthusiasts. There are plenty of reasons for that, including his skill with materials and beautiful perfumes (obviously) and also his reportedly gentle, kind, and friendly demeanor. That he can create a scent for The Queen of the Succubi is pretty impressive. In fact, he has created a small library of scents that really bring out the nuances of the book, Quantum Demonology. We'll get to the rest of them over the next few weeks, but my favorite (at least today) is this one, Lilith.

Like our Dev, the ultimate trickster, Neil has gotten a little tricksy with his participation in this project. He hasn't provided the reviewers with a list of notes for any of his submissions for Devilscent. So I'm flying blind, olfactorily speaking, and we know I'm terribly new and not-so-great at that. But we'll give it a go. My best hope is to describe the feeling and mood of this perfume**.

"Like her husband, she emanated a scent, and like her husband it was as unusual as it was distinctive. Floral and green, heady and earthy, with musky overtones and something else, something that smelled - poisonous, even tainted. It was very erotic and very domineering, cracking an olfactory whip at my nose."
- Quantum Demonology



[image source]
When I apply Lilith, I get a pretty, fairly feminine vibe. There are possibly some citrus notes, perhaps paired with stone fruit like peach, but only a hint. The opening is not bright and shiny, but more... velvety. It doesn't take long for a floral nuance to come to the fore. I get rose, but I'm not sure what else. Maybe a little lily, possibly a subtle touch of jasmine. Lilith has a garden-fresh greenness that, at some points is fresh and welcoming, like Spring, and at other points is just slightly more bitter. There's some muskiness in there that adds an earthy femininity without becoming a skank-bomb. The rose here is pink at first, innocent and flirtatious, but it deepens when you're not paying attention and become a sexy, rich red rose.

Neil Morris' Lilith is smooth and beautiful. She's mature but not cold and withdrawn. In fact, she's quite the opposite! She's welcoming... beckoning. Comely. She lures you in with her beautiful, soft, feminine wiles. But watch out: there's some bite in there! This rose has thorns.

She wanders about at night, vexing the sons of men and causing them to defile themselves -Zohar

From time to time, when I lean in close, I pick up some undercurrent that I can't quite pinpoint. It's the slightest bit metallic, or maybe a touch mineral in flavor. It gives Lilith a subtle edge. A warning, perhaps?

This seems incredibly appropriate, considering the perfume is a tribute to a gorgeous, stunning blonde woman who would just as soon kill you as romance you. Quantum Demonology's Lilith is a villainess for the ages, quite literally, as her marriage to Dev has rendered this once-human woman immortal. (Or is she?)  She woos men and women alike with her apparent wholesome good looks, and when they move in closely she happily makes her move. Whether that move is sexual or murderous depends on her whim. Lilith, the perfume, is equally two-faced and tricky. At first blush she's a typically pretty floral perfume, though clearly well-crafted. But this perfume is more. So much more. She's a beautiful date perfume, but maybe best saved for that third date!


"Lilith has it in for you, and you have no idea how dangerous Lilith is when she's pissed off."
- Dev to our protagonist, Quantum Demonology


I imagine this Lilith is quite the compliment-getter for everyone who wears it. I know that's proven true for me! But beware he who leans in too close...

Here's the sad news: this scent doesn't appear on Neil Morris Fragrances' site for sale. Maybe if we complain loudly enough this gentle gentleman will relent and sell us some?







**I read Quantum Demonology months ago, in the Spring. 
My memory is not exactly "photgraphic" and
 I'd forgotten what Sheila's description of Lilith's scent was.
 After I wrote my review today, I pulled the book up on my
 iPad Kindle app and found the description above. 
Whoa. Neil did great! What a hit the nail on the head move!

It's probably also worth noting that I do not usually
fall head-over-heels for rose-centric scents,
but this is the second rose perfume from Neil Morris Fragrances
that I have loved mightily, the first being Rose of Kali!







A note from Neil Morris:
"YES! We will be listing all the DevilScents for purchase on our site soon. In the meantime, anyone who'd like a bottle of LILITH - or any other non-listed perfume - can order ANY VAULT perfume and in the comments section at checkout, simply tell us you really want LILITH (or whatever you've chosen). That's it!" 
Hooray!

Also: Neil shared with me the notes list. No, greedy birdies, I am not sharing his secret, yet... When he and Sheila tell me it's ok - that is IF he and Sheila tell me it's ok - then I will share them with you. But not a minute sooner. ;)

The Power of Perfume: An Introduction to the Primordial Scents Project as hosted by Monica Miller - Perfume Pharmer


Every day we warm ourselves by Fire,
Wash ourselves in Water,
Feel the Wind in our hair,
Walk upon the Earth.




The Power of Perfume: 

An Introduction to the Primordial Scents Project

 as hosted by Monica Miller - Perfume Pharmer

Prologue.
It all started at the beginning. And at the beginning there was air, fire, water, and earth. The final spark was found inside. Aether. Also known as spirit. The flame inside. It came into being only when the others were all present.


Sacred Flame                               [via]    


Planting the Seed.

This year, the most amazing project is pulling together. The building blocks are, in part, those that form the universe. The building blocks are exquisite perfumes based on the original building blocks: the four - no, five! - elements. They are talented perfumers working in a variety of materials - some all-natural, some not. They are gifted perfume writers, sniffing the creations and making an offering of words. They are dreams from the minds of creative people all over the world and, especially, the dream of one woman on an island off of Massachusetts.

[via]

The foundation for this project was laid by Monica Miller. You may remember her from last year's group blogging project, The Summer of Patchouli Love. Or maybe you've run into her on Martha's Vineyard. Or you've picked up one of her brilliant Skye Botanicals products - was it her much beloved Fuzzy Blue Blanket perfume or some of her delectable skincare? Maybe you have read about her here or elsewhere when people raved about her collaborative strawberry scent. Or perhaps you're a huge fan of her website Perfume Pharmer.

Well, somehow as busy as she is, Monica finds time to read and think and dream and plan. Monica took to heart thoughts from a book written by Starhawk, a writer and activist known for her importance to the neo-paganism and ecofeminist movements. The Fifth Sacred Thing is a novel that proposes a utopian society that happily exists using sustainable methods (read more here). Inspired by this and other influences, Monica rearranged her focus in life and launched into, among other things, investigating permaculture and dedicating herself to inspiring others to work towards that sustainable utopia. In her words after "some serious soul searching I took a different turn from the notion of using my energy primarily to advance my personal career to ponder the question 'what do I hold most sacred, what should I dedicate my time on Earth to?' "


And so, as part of her process, the Primordial Scents Project was formed. She has gathered a group of perfumers from all over the world who have spent the last year creating scents inspired by the elements, including the fifth element proposed by Starhawk: spirit. The focus for the project is on the primordial beginnings, the inner workings of... everything. In Monica's words, "For the purposes of this project, Primordial to me means original material...going back to the ELEMENTS that make up our planet, our bodies, our selves. What are we made of physically and spiritually? What do we hold most sacred?"
Declaration of the Four Sacred Things 
The Earth is a living, conscious being. In company with cultures of many different times and places, we name these things as sacred: air, fire, water, and earth. 
Whether we see them as the breath, energy, blood, and body of the Mother, or as the blessed gifts of a Creator, or as symbols of interconnected systems that sustain life, we know that nothing can live without them.
To call these things sacred is to say that they have a value beyond their usefulness for human ends, that they themselves become the standard by which our acts, our economics, our laws, and our purposes must be judged. No one has the right to appropriate them or profit from them at the expense of others. Any government that fails to protect them forfeits its legitimacy. 
All people, all living things, are part of the earth life, and so are sacred. No one of us stands higher or lower than any other. Only justice can assure balance; only ecological balance can sustain freedom. Only in freedom can that fifth sacred thing we call spirit flourish in its full diversity. 
To honor the sacred is to create conditions in which nourishment, sustenance, habitat, knowledge, freedom, and beauty can thrive. To honor the sacred is to make love possible. 
To this we dedicate our curiosity, our will, our courage, our silences, and our voices. To this we dedicate our lives. 

   --Starhawk
                                                                                                                                                                                                          [via]
Caretaking.
If the elements are indeed, as the ancients thought, the building blocks of the universe and of human beings themselves, how much power do those elements have? How much power can be obtained - how much personal power can be obtained - when we channel the elements, when we work with them, using them for balance?

The elements are heavy with symbolism. I asked Monica to explain the elements to me and here is what she described...
Goddesses of the Elements              [via]
AIR ~ Air represents the mind and intelligence, communication, telepathy, psychic powers, inspiration, imagination, ideas, knowledge, dreams and wishes. Air also rules visualization. 
FIRE ~ Fire represents energy, inspiration, love, passion, leadership. Fire is also the element of magic and change. 
WATER ~ Water represents emotions, absorption, subconscious, purification, eternal movement, wisdom, the soul, emotional aspects of love and gender. 
EARTH/METAL ~ Earth represents strength, abundance, stability, prosperity, wealth and fertility. 
SPIRIT ~ Aether (also called Spirit) is the prime element present in all things, providing space, connection and balance for all Elements to exist. Aether is immaterial unlike the Air, Fire, Water and Earth. Aether is essential to our sense of connectedness with spirit and well-being. Aether represents the sense of joy and union.
Ideally, one seeks balance in life. Too much of one thing is not a good thing. Monica proposes that we try using the elements as a guide in the hopes of correcting imbalance. The perfumes created in this project were created with intention: they are meant to be an aid to finding balance using the elements as inspiration.

For example, should I find myself lacking in passion for my job, perhaps I need more fire. Reaching for a scent based on that element may help restore that balance by adding a spark - giving me that verve and passion I am lacking. Another example: maybe I am suffering from some financial instability. Earth/Metal governs this area and a scent based on that element may help me find balance and discover a way to smooth out those rocky roads. My restless nature may be soothed by Earth scents as well, while I may benefit greatly from Spirit scents during meditation.

So Monica envisions change through scent. And she has an army behind her.

Then again, maybe one wants to take the scents at face value and sniff them for the usual reasons: the notes sound interesting, the scent puts a spring in the step, it garners compliments, and it just makes you feel good. That works, too! If the concept of the elements doesn't resonate with you, I still encourage you to keep an open mind and follow along with us as we explore this project. In the end, perfume is what you make of it!
Balance                                    [via]
Grow.
The concept of these Primordial Scents has grown and morphed and become even larger than Monica had even dreamed, I am willing to wager. Many seem moved by the project's concept not just on an intellectual level, as an exercise in perfumery, but also on a more organic and profound level. Friends contacted each other, the list of participants grew, and the soft murmur of the project's inception became a much louder buzz.


The roster for the project reads like a Who's Who of Perfumery. And when I say this project's reach is world-wide, I mean it!  Emma Leah is contributing to the project from Australia, Juan Perez is sending fragrant magic from Puerto Rico, Tanja Bochnig calls Berlin home, several Canadians are participating, and Americans from both coasts and quite a few cities in between will be represented, too. And that's just the perfumers! Articles about the project will be penned all over the world: the thread starts with Sheila Eggenberger in Denmark, wraps through Austria and the able hands of Birgit Oeckher, and hops the Atlantic to then dance all across North America.

The Perfumers
Amanda Feeley (Esscentual Alchemy) - AIR & EARTH
Ane Walsh (Ane Walsh) - BEACH/WATER
Anita Kalnay (Flying Colors Natural Perfumes) - SPACE/ ETHER
Anu Prestonia (Anu Essentials)- WATER
Bruce Bolmes (SMK Fragrances - website comings soon) - METAL
Dabney Rose (Dabney Rose) - FIRE
Dawn Spencer Hurwitz (Perfums des Beaux Arts / Essence Studio)- ETHER/SPACE
Emma Leah (Fleurage Perfume Atelier)  - METAL
Jane Cate (A Wing & A Prayer) - FIRE
Juan M. Perez (Exotic Island Aromatics)- FIRE & EARTH
Justine Crane (The Scented Djinn) - EARTH
Katlyn Breene (Mermade Magickal Arts) -FIRE
Kedra Hart (Opus Oils) - EARTH
Kirsten Schilling (Arabesque Aromas) - ETHER/ Space
Laurie Stern (Velvet and Sweet Pea) - AIR
Lisa Abdul-Quddus (Blossoming Tree Bodycare) - METAL
Lyn Ayre (Coeur d’Esprit Natural Perfumes ) - ETHER
Mandy Aftel (Aftelier Perfumes) - WATER
Maria Mcelroy (Aroma M) and Alexis Karl - FIRE
Marian Del Vecchio - FIRE 
Michael Storer (Michael Storer Perfumes)- AIR & EARTH
Neil Morris (Neil Morris Fragrances) - AIR
Shelley Waddington (EnVoyage Perfumes) - ETHER/SPACE, FIRE & WATER 
Suzy Larsen (Naked Leaf Perfumes) - AIR
Tanja Bochnig (April Aromatics) - AIR, EARTH, ETHER
Note: the links provided show the perfumer's websites and,
 when provided, a Facebook page dedicated to that
perfumer's offering for the Primordial Scents Project.
To access those FB pages, use the link associated
with the perfumer's chosen element(s)

The sniffers and writers
[via]
Beth Schreibman Gehring - Perfume Smellin' ThingsThe Perfume Magazine
Birgit Oeckher - Olfactoria's Travels
Carlos Powell - artist, perfumista, Patch Test Bunny
Diana Wiener Rosengard - Feminine Things
Donna Hathaway - Portland Fragrance Examiner
Elaine Jaune - perfumista
Elena Knezevic - EIC, Fragrantica
Gaia Fishler - The Non-Blonde
Ida Meister - Chaya RuchamaFragrantica
Jade Dressler -  www.jadedressler.wordpress.com 
Jodi Battershell Fragrantica
Josie Alycia Plumey - Beauty, Bacon, Bunnies
Lucy Raubertas - Indie Perfumes 
Margi Macdonald - writer
Marlen Elliot Harrison - The Perfume Critic
Naheed Shoukat AliFragrantica
Nava Brahe - perfumista, writer
Rochette Withers - perfumista, writer
Scent Scelf - Notes from the Ledge
Sheila Eggenberger - The Alembicated Genie
Stevie Wilson - LA Story
Victoria Jent - EauMG
Zoran Knezevic Fragrantica 

Monica herself will be sharing a very special scent she has worked on and will be writing plenty, too, as the project evolves. And the surprises don't stop there - I haven't even mentioned The Traveling Perfume. Stay tuned for more on that!
Follow general developments and thoughts share by Monica on the Primordial Scents Project page on Facebook and on Perfume Pharmer, Monica's blog


Mother Earth                                                                                          [via]
Bloom. 
Igor Drandic Photographic Art
It seems the participants identified quite deeply with Monica's ideas. As she so rightly said, "we have to stay positive and dedicate ourselves to the good- for our children/planetary children and for ourselves. We cannot wallow in self pity/ delusion or allow ourselves to believe there is nothing we can do. We can ALL do something, no matter how small."

How large can a small vial of perfume really be? Follow along with the Primordial Scents Project and find out!